LATEST ADDITIONS

Herb Reichert | Jul 28, 2023 | 36 comments

The Acelec Model One speakers I'm auditioning ($6495/pair) are not princesses in pink, or frog green, or made of some chemically distilled polypudding. Nor are they conventional-beyond-reason MDF boxes covered with stick-on vinyl pretending to be wood. The Model Ones are squat, small, serious-looking, two-way standmounts. They are 11.2" tall, 7.7" wide, 11.5" deep, and 37.5lb heavy.

Spin Doctor

Spin Doctor #3: Visiting Acoustic Signature

Michael Trei | Jul 27, 2023 | 3 comments

10. Acoustic Signature's listening room with its massive PBN loudspeaker system.

May has long been one of my favorite months of the year, mostly because it means it's time for the Munich show, the annual gathering of the high-end audio tribe in the Bavarian capital. High End Munich 2023 marked my return to the biggest audio show in the Western world following three years of lockdowns and travel restrictions, so I was eager to get back to the land of Wiener schnitzel and bratwurst.

This year, as an added bonus, I was invited to visit the production facilities of turntable and tonearm manufacturer Acoustic Signature, which is based about 110 miles west of Munich, near Stuttgart.

Munich 2023 Spin Doctor

The Spin Doctor in München!

Michael Trei | Jul 27, 2023 | 2 comments

At High End Munich, Michael Trei chats with Thorens CEO Gunter Kürten (right) about the Thorens Reference turntable's active suspension. (Photo: Jeff Joseph.)

It's hard to convey the scope of the annual High End Munich audio show to someone who has never attended. Spread out over three floors of a large facility called the Munich Order Center (MOC), the show is notable for how different it is from audio shows in the US. The ground floor is an area about the size of three American football fields, where brands set up professional trade show booths to display their wares. This is a long way from the draped folding tables and back curtain on a rail that defines a "show booth" at most US shows. What you'll find on this level is mostly static displays, although scattered among the displays you'll find prefabricated sound rooms, acoustically designed spaces designed to allow live demonstrations on the ground floor.

My main focus at the show was to try to root out interesting new record-playing gear. I was not disappointed. Here are a few select highlights from what I saw at the show.

Revinylization

Revinylization #44: Little Feat's evolution in two classic albums

Tom Fine | Jul 25, 2023 | 2 comments

Little Feat's beginning was a slow burn, bolstered by the faith of record company execs as the band found its groove. Once it found its, um, feat, the band thrived through deaths and other turmoil. In fact, they're still at it. This fall, according to Rhino Records, the band will be performing "on back-to-back nights ... at selected venues" the two albums that document the time they found their way: 1972's Sailin' Shoes and 1973's Dixie Chicken.

In conjunction with that 50th anniversary mini-tour, Rhino has issued deluxe remasters of both albums on 3 LPs or 2 CDs, with plenty of bonus material and a previously unissued live show with each album. On the LP sets, the two original albums were remastered by Bernie Grundman "from the flat master tapes," according to Steve Woolard, Rhino's head of A&R. Plating and pressing was done at Precision Record Pressing in Ontario, Canada. Rhino was kind enough to send me both the LP and CD sets so that I could compare the sound and presentation.

My Back Pages

Five Things I Learned At Hi-Fi Shows

Rogier van Bakel | Jul 24, 2023 | 4 comments

"I hope you're decompressing from AXPONA," I recently wrote to a frazzled-looking friend I'd met at this greatest of North American hi-fi shows. Google's spellcheck offered to change decompressing to decomposing. I declined, though it's true that such expos can be grueling—just not grueling enough to stay away.

In these observations about high-end audio shows, fondness is foremost, but a few dark side notes will slip in.

Audacious Audio Floor Loudspeaker Reviews

Raidho TD3.8 loudspeaker

Rogier van Bakel | Jul 21, 2023 | 69 comments

In my high-school days, I visited a friend whose well-to-do dad proudly demonstrated his new Quad ESL system for us. First up was a recording of a man with heavy footsteps traversing the space from left to right. Next came a speeding police car, siren engaged, complete with Doppler tail. I found it impressive, and a little lame at the same time. My friend and I, in love with our own artsiness, preferred Fear of Music by Talking Heads and Drums and Wires by XTC, or (in a pinch) U2's Boy.

It wouldn't have occurred to me that I'd ultimately derive frequent joy from listening to sound effects (though in my case they're usually integral to the music, not apart from it). When I hear Yosi Horikawa's bouncing marbles on Wandering, I prick up my ears and smile. A panting dog on Holly Cole's Temptation, an overhead hovercar on the Blade Runner 2049 soundtrack ... bring it on. A babbling river on Andrew Bird's Echolocations; seed pods on Tom Waits's Blood Money; liquid splashes and crinkling paper on Felix Laband's Dark Days Exit ... yes, please. I don't care if it's a little gimmicky. It's also sensual in the original meaning of the word, an aural pleasure.

The Raidho TD3.8 speakers that, after three months, just departed my home, do the trick of conjuring points in space with great acuity.

Audacious Audio Tonearm Reviews Turntable Reviews

SME 60 record player

Michael Trei | Jul 20, 2023 | 7 comments

Creating a new flagship model is never an easy task for an audio company. A good designer will have already incorporated all his or her best ideas into the prior flagship. For a follow-up, you typically get a scaled-up version of what came before, incorporating the kind of improvements a bigger budget will allow.

SME's history is well-documented. The company started out, in 1946, as an engineering company for hire. In 1959, after a few years supplying parts for the scale modeling and various other high-tech industries, company founder Alastair Robertson-Aikman wanted a better tonearm for his personal use. He leveraged the capabilities of his small engineering company to create what eventually became the legendary 3009 and 3012 tonearms. The reputation of the new arms spread quickly, and from the mid-1960s through the 1970s, SME dominated the high-end tonearm market. SME's corporate slogan was The Best Pick-Up Arm in the World, and few people at the time would have challenged that claim.

As We See It

On Value

Jim Austin | Jul 19, 2023 | 37 comments

Not long after I moved to New York City, in anticipation of some summer-holiday meal, I went out into the city searching for lambchops. The closest butcher shop I found, Harlem Shambles (thank you, Google Maps), was at roughly my latitude but across Morningside Park in a gentrified section of Harlem. I walked over and entered a large area occupied by a refrigerated glass case of the sort common in butcher shops. The case, though, was nearly empty—just a few cuts of meat, filling perhaps 5% of the available space. Adding to the vibe of neglect was that none of the half-dozen or so skinny young men with spiffy hats and immaculate facial hair (no hairnets on the beards) were greeting customers—or customer, since I was the only one.

Recording of the Month

Recording of August 2023: Byrd: Mass for five voices; Choral works

Stephen Francis Vasta | Jul 18, 2023 | 0 comments

Byrd: Mass for five voices; Choral works
The Gesualdo Six/Owain Park
Hyperion CDA68416 (CD, 2023). Adrian Peacock, prod.; David Hinitt, eng.
Performance *****
Sonics *****

Those who, like me, hauled ourselves through college music courses will remember being told that the Byrd Mass for five voices is a masterpiece, a claim soon belied when we were played a performance by some desiccated, monochromatic chorus. Had a recording like the new one by The Gesualdo Six been played instead, we might have agreed more readily with the academic judgment.

Analog Corner Tonearm Reviews Turntable Reviews

Analog Corner #256: Acoustic Signature Ascona Mk.2 turntable, TA-9000 tonearm

Michael Fremer | Jul 14, 2023 | First Published: Dec 01, 2016 | 33 comments

I recently posted to AnalogPlanet.com's YouTube channel a video that compares VPI's Prime turntable and JMW 3D-printed tonearm ($3995) with Continuum Audio Labs' Caliburn turntable (ca $150,000 with arm and stand, discontinued) fitted with the Swedish Analog Technologies arm ($28,000). Both played "Braziljah," a snazzy track from the New Zion Trio's latest album, Sunshine Seas (LP, RareNoise RNR065LP), featuring guest Brazilian percussionist Cyro Baptista.

The Prime was fitted with a Lyra Helikon SL cartridge (ca $2500, discontinued), driving a reasonably priced phono preamplifier: the Audio Alchemy PPA-1 ($1795, currently under review for AnalogPlanet). Accompanying the Continuum Caliburn and SAT arm were Audio-Technica's AT-ART1000 cartridge ($5000), and Ypsilon's MC-16L step-up transformer ($6200) and VPS-100 Silver phono preamplifier ($65,000)—total cost, more than I paid for my first house, in 1992.

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