LATEST ADDITIONS

I wandered in to the room shared by, among other companies, Accustic Arts and Fischer & Fischer. The news from this room is two new high-value products—by which I mean that they're cheaper than the company's main lines, so there's a good probability that they offer good value. High-end companies trickling down appears to be a Munich High End trend—note, for instance, the Mark Levinson No.5101 SACD player/streaming DAC I wrote about earlier today.

When I entered the MSB room, a track from the JVC XRCD version of Sonny Rollins's Rollins Plays for Bird was transmitting all of the recording's smooth, warm, and sophisticated elegance. That last word isn't one I use often when describing high-end systems, but that's exactly what I experienced here.

As someone accustomed to thinking of Auralic components as little boxes, the size and casing of their new Sirius G2 upsampling processor ($6000) suggests to me that the company is exploring new territory. It sure sounds that way from this product's description. Due late summer or early fall, the Sirius G2 is intended for placement between a streamer and DAC—any company's DAC—and is claimed to upgrade both "the processing power and the original performance envelope" of the DAC. Auralic's press literature says that by handling a DAC's data processing burden, the Sirius G2 "dramatically reduces the amount of distortion and jitter" of a DAC in its sweet spot, regardless of the incoming resolution of the file.

As Michael Fremer, Paul Messenger, and I were searching for the High End press room, one of several echt German pop-up entertainments surfaced in the lobby. Whether taken as local culture or kitsch depends upon one's point of view . . .

Just some tonearm sweetness from Thales. Photo taken through a window. Enjoy.

I'm sitting in the Alluxity room next to Joseph Audio's Jeff Joseph and wondering how his new graphene-cone Perspective2 loudspeakers ($14,999/pair) can sound so big and solid and transparent when they're so far apart. I'm looking for the hole in the middle, or at least a fuzzy-creamy center, but I can't find it. All I can "see" are the solid, accurately described voices of singers like Ella and Elvis.

From my first room at High End Munich: Some actual news: A new SACD player from Mark Levinson.