Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Shure Bluetooth 5.0 Earphone Communication Cable

It used to be on my commute that I'd see my fellow subway riders listening to music on their iPods with headphones from Beats, Bose, Sennheiser, Sony—and even, occasionally, from Grado. These days, however, iPhones and Android smartphones are ubiquitous, and while I still sometimes see a pair of Beats, many travelers now wear Bluetooth-connected Apple AirPods. I haven't bought a pair of AirPods, so I don't know how they sound, but at $159, I suspect they don't compete with "legitimate" headphones. Even so, I wondered if convenience trumps sound quality when it comes to listening on the move.
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Bonus Recording of March 2019: Vivaldi Arias

Vivaldi: Arias
Cecilia Bartoli, mezzo-soprano; Jean-Christophe Spinosi, Matheus Ensemble
Decca 002932502 (24/96 download, CD). 2018. Arend Prohmann, prod., ed.; Philip Siney, eng.; Claudio Becker-Foss, asst. eng. DDD. TT: 58:27
Performance *****
Sonics ****

Stereophile occasionally awards a Joint Recording of the Month, and Cecilia Bartoli's second recording of Vivaldi arias deserves no less.

Though we don't know over how long a period Bartoli recorded this album's 10 tracks, she finished the project with Jean-Christophe Spinosi's Ensemble Matheus, a baroque group, in 2018, when she turned 52. I defy you to hear any trace of age in her voice. The singing is limpid and seamless, with rapid, wide-spanning coloratura runs flawlessly dispensed, and the longest of long-breathed lines produced with little to no apparent effort.

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Stereophile: the Next Generation

Today, Stereophile announces its first major Editorial changes in decades, with an expansion of the Editorial team and a change in leadership.

Since 1986, through many generations of corporate ownership, John Atkinson (right, above) has been the Editor and bedrock of the magazine. After nearly 331/3 years, JA has decided to relinquish daily responsibility for producing the magazine and as of April 1 will take on a new (and newly established) position: Technical Editor. Stepping into his shoes as Editor will be long-time Stereophile contributor Jim Austin (left above).

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The USA's Favourite Hi-Fi Publication Announces Expansion Of Its Editorial Team

Jim Austin appointed Stereophile Editor as John Atkinson transitions to new role as Technical Editor

NEW YORK, NY— AVTech Media Americas announces key editorial changes at its premier hi-fi title, Stereophile. John Atkinson, Stereophile's Editor and guiding light for 33 years, will step down from this position following the publication of the June (coverdate) issue, while Jim Austin will formally assume the mantle of Stereophile's Editor from the July issue. John will remain a key member of the Stereophile team in his capacity as Technical Editor, contributing reviews and in-depth lab tests.

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Meitner on the EMM DV2, DSD, MQA, & Digital Audio

Imagine my surprise while I was preparing my review of the EMM Labs DV2 D/A processor in this issue, EMM Labs' manager of production and social media, Amadeus Meitner, informed me that what I'd thought would be a one-on-one chat with his father, EMM Labs founder and CEO Ed Meitner, would also involve himself and EMM's managing engineer of the past 15 years, Mariusz Pawlicki. Once all three had come to the phone, however, information flowed more or less smoothly. My first question was what makes the DV2 special?
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Music in the Round #96: Roon & Dolby Atmos

One of the recurring themes of this column has been my search for servers that will support the playback of high-resolution multichannel files with DSP for speaker/room equalization (EQ), as well as the format conversion and downsampling that are often part of those processes. Because most EQ software is PCM-based, format comversion is needed to convert DSD files to PCM. In addition, because most EQ products work within a limited range of sampling rates, PCM files sampled at high rates may have to be downsampled before being subjected to EQ. Those of us who use home-theater preamplifier-processors and audio/video receivers (AVRs) should be familiar with such constraints.
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Shure KSE1200SYS electrostatic in-ear headphone system

In November 2016, I reviewed Shure's KSE1500 electrostatic in-ear headphone system, which featured a D/A amplifier with both analog and USB inputs that drove in-ear headphones with unique electrostatic diaphragms. At $2999, the KSE1500 was and is pricey, and recently Shure introduced a less-expensive electrostatic headphone system, the KSE1200SYS ($1999), with the same amplifier and earpieces but just an analog input.
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Mark Hollis 1955–2019

The news broke on Facebook yesterday that Mark Hollis had died, aged just 64. I was late to appreciate Hollis's work, including his extraordinary solo album from 1998 (above). But since Stephen Mejias turned me on to him, Mark Hollis's music, both solo and with the band Talk Talk, has been in heavy rotation. (You can find my review of Talk Talk's final album, Laughing Stock, here—scroll down the page.) Fellow fan, Michael Vamos of distributor Audio Skies, asked if he could share some thoughts.
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Crazy Cello Shredding from Edgar Moreau

I'm not sure what possessed me to listen to young Edgar Moreau's Erato recording, Offenbach & Gulda: Cello Concertos, with Les Forces Majeures conducted by young Raphaël Merlin. Was the moon in that phase when it appears to be laughing at we earthlings? All that is certain is by the time I had heard but a minute of the first movement of cellist/composer Offenbach's concerto, it was clear that I'd be laughing through at least half of the notes that lay ahead.
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