Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Servers, deconstructed

Jukeboxes were probably the first music servers to take a form we would recognize: a music-playing device that allows you to choose from several, or many, songs. The first commercial jukebox, Wikipedia says, was introduced in 1927 by the Automatic Musical Instrument Company, which came to be known as AMI.
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ELAC Alchemy Series DPA-2 power amplifier

Once upon a time, in the early days of class-D amplification, the very notion that the ELAC (ELectroACoustic) Alchemy DPA-2 Stereo/Mono Power Amplifier ($1495 each) uses a class-D output stage would cause some readers to turn the page (footnote 1). But as class-D amplifiers established their pedigree as bona fide hi-fi components, audiophiles have begun to embrace the notion of a lightweight, cool-running amplifier that will not dramatically increase the electric bill and that, when properly executed, can be quite musical.
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Recording of June 2021: NOW

Damon Locks & Black Monument Ensemble: NOW
International Anthem Recording Company IARC0039 (LP, download). 2021. Damon Locks and Black Monument Ensemble, prods.; Alex Inglizian, eng.
Performance *****
Sonics ****

In its sixth year, International Anthem seriously stepped up production. 2020 saw the Chicago label releasing a fast succession of rewarding albums, including a standout disc by Tortoise guitarist Jeff Parker and adventurous jazz by Rob Mazurek and the collective Irreversible Entanglements.

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London Maroon Cartridge and StylusTimer Sweepstakes

Register to win a London Maroon Cartridge (Value $950.00 ea) and a StylusTimer (value $19.95) we are giving away.

According to the company:

"The legendary London (Decca) cartridge is known for its extraordinary and unmatched musicality, delivered by its unique transducer design. With a StylusTimer (2021 Stereophile Recommended Component) you can track cartridge break in-time, total stylus time, and the time you spend enjoying music, while preserving your system’s sound quality and protecting your records from damage from a worn stylus."

[This Sweepstakes is now closed.]

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Sony DTC-1000ES R-DAT recorder & Sony PCM-1630 A/D converter

With the furor over the launch of DAT (digital audio tape), it is worth remembering that commercial digital recorders have been with us for some time now: it is now nearly a decade since studio PCM converters were first successfully used for audio recording in conjunction with a VCR (which uses a helical spiral recording via a spinning drum to achieve the high writing speed).
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Mary Halvorson: Melt the Frame

In her reworking of the Beatles' "With a Little Help from my Friends," on the 2018 tribute album, A Day In The Life: Impressions Of Pepper (impulse records), Brooklyn guitarist and composer Mary Halvorson reinvents both her instrument and the song.

Most baby boomers can hum the tune of the Beatles' classic, from Sgt. Pepper's Lonely Hearts Club Band, in a handful of notes. It might take longer to recognize Halvorson's joyous, angular version. A master of jazz phrasing, guitar technique, avant-garde discourse, and effects pedals, Halvorson bends the Beatles song to her 21st century will.

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