LATEST ADDITIONS

I was surprised by the sound quality I heard in the Nation Imports room. Here was a relatively compact system that cost quite a bit less than most systems I heard at the show—yet not only did it hold its own against more expensive fare, in some areas, such as imaging, definition, and the portrayal of female vocals, it beat it.

Quebec-based DR Acoustics is a relative newcomer to the audiophile scene, but the company been making headway lately with its line of cables and AC conditioners.

The room occupied by Canadian distributor Apple Tree was a revelation, and probably not in the way you might imagine.

Without further ado, let's jump right in, starting with the system in the Hegel room, which was bright, clean, and crisp—and that was just the room.

Oh, là, là! It’s back!: the North American audio show with the Euro flair, the Montréal Audiofest—or as I like to call it, the sexy audio show. It’s at its usual illustrious spot, the Hotel Bonaventure. Boy, did I miss it—and miss covering it for Stereophile. It’s always a fun event to visit, and it’s my hometown show, the one I’ve been going to for thirty years—until the Big Bug stopped it. The show runs from March 25 to March 27.

Starting with her out-of-nowhere triumph at the 2010 Thelonious Monk Jazz Competition and continuing with the release of four albums including three Grammy winners, Cécile McLorin Salvant, still just 32, has been raising eyebrows and neck hairs for a dozen years. She reigns as the supreme jazz singer of our time, ranking among the best of all time. More remarkable, she keeps getting better, and, rarer still, she keeps evolving, expanding her repertoire of styles—which was vast from the start—without losing a wisp of her deep blues, swing, precision, wit, operatic range, or storytelling drama.