Sonny Meets Roy!
I reviewed Sonny Rollins’ <A HREF="http://www.nytimes.com/2007/09/20/arts/music/20roll.html">Carnegie Hall concert</A> last Tuesday for the <I>New York Times</I>. Short version: The first half, when Rollins played in trio with drummer Roy Haynes and bassist Christian McBride, was wondrous; the second half, with his usual sextet, had its moments but was comparatively a drag. I only hinted at this in the review, but the concert typified the puzzle that is Rollins’ career: why, in the past 40 of its 50-plus years, has this titan of the tenor saxophone—the most inventive living improviser in jazz—chosen to play so often with musicians so clearly beneath him?