Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Best Wishes for the New Year

I'm sitting here in front of the trusty Toshiba 286 laptop on December 31, 1992, stuck with apparently incurable writer's block; in a couple of hours, we will be taking off <I>en famille</I> for the latest of Larry Archibald's legendary New Year's Eve parties. I wish I had something to write about for this month's "As We See It" essay; I wish...I wish...you know, there are a number of things I really wish for right now, yet I don't believe there is a component out there that can give me what I want.

Continue Reading »

Eminent Technology LFT-16 loudspeaker

There is much to admire and to enjoy in this idiosyncratically charming hybrid loudspeaker. Eminent Technology has been around for about 25 years. Founder Bruce Thigpen was a pioneer in air-bearing technology, and ET's first product was a well-regarded air-bearing tonearm. The company later developed and was awarded patents for its Linear Field Transducers (LFTs): <A HREF="http://www.stereophile.com/floorloudspeakers/308et">push-pull loudspeaker panels</A> that operate on the magnetic rather than the electrostatic principle. Arraying magnets both front and rear of the plastic-membrane diaphragm eliminates a problem inherent in many planar-magnetic designs: as excursion increases, the magnetic restorative force diminishes. As can be expected, this technology is not efficient at reproducing bass, so most such speakers have been hybrids.

Continue Reading »

Joint Recording of June 1991: You Won't Forget Me

<B>SHIRLEY HORN: <I>You Won't Forget Me</I></B><BR>
Shirley Horn, voice, piano; Charles Ables, bass; Steve Williams, drums. With: Miles Davis, trumpet; Buck Hill, trumpet; Branford Marsalis, tenor saxophone; Wynton Marsalis, trumpet; Toots Thielemans, harmonica, guitar; Buster Williams, bass; Billy Hart, drums<BR>
Verve Digital 847 482-2 (CD only). Richard Seidel, Joel Siegel, prods.; David Baker, eng. DDD. TT: 71:13

Continue Reading »

Listening #72

I'm old enough to remember when "Made in Japan" was an insult. As a child, I saw that phrase on only the cheapest or craziest toys&#151;some stamped out of tin and cupped together by a tab with a fiendish edge, some molded from a distinctively smooth, brittle plastic. The latter included a wind-up bunny on wheels that my father brought home one day: my favorite toy, ever. (It came with a double-barreled dart gun that I seldom used, partly because I loved the bunny too much to shoot it, and partly because the suction-cup darts didn't stick to that kind of plastic in the first place.)

Continue Reading »

VMPS Tower 11/R loudspeaker

When JA suggested I review one of the "smaller" VMPS loudspeakers, I felt the hot breath of controversy in the air. The <A HREF="http://www.stereophile.com/asweseeit/44">recent debate</A> in these pages concerning the "proper" amount of bass required for true high-fidelity reproduction, and the inability of small loudspeakers (according to one camp) to provide it, hadn't yet cooled off, nor showed any sign of doing so. VMPS, a small West-Coast manufacturer most famous for its humongous Super Tower IIa/R (at 6-plus feet and 250 lbs per side, <A HREF="http://www.stereophile.com/floorloudspeakers/486vmps">first reviewed</A> for <I>Stereophile</I> by AHC in Vol.9 No.3 and the latest version of which is examined by JGH elsewhere in this issue), is hardly a fence-sitter in the debate; they are clearly pro-low-end response. I chose to request the Tower II/R, an upgraded version of the smallest of their floor-standing systems, for review; with a rated 3dB-down point of 22Hz (the same as their standard subwoofer), it's not exactly a member of the restrained bass brigade.

Continue Reading »
Advertisement
Advertisement
Advertisement
Advertisement