Visiting one of Aaudio Imports' rooms gave me another opportunity to hear Tidal loudspeakers from Germany. I initially encountered an extremely imposing pair of these speakers on the first day of the show, paired with BAlabo electronics and Echole cabling. Now before me was a smaller pair of the Tidal speakers, either the Contriva Diacera SE ($73,500/pair) or Piano Cera ($28,400/pair). (The equipment sheet listed both models).
It was a case of Johnny Hartmann the third time over. In the room shared by Hansen and Tenor Audio, my third encounter with Hartmann's vocalism at CES 2010 came via a CD transfer of a 1964 recording. Happily, the CD retained much of the vocal richness of the two Hartmann LPs I had heard earlier in the show.
Vandersteen's $45,000/pair, time- and phase-correct, four-way, floorstanding, Model Seven loudspeaker made its debut at the 2009 CES but is now in production. I sat with Richard Vandersteen in his suite at the Venetian, and listened intently to his description of how he designed the Model Seven. He started by saying, "I didn't really understand the advantages of carbon-fiber as a material that could help speaker design until I built my own airplane." From there, he described how he developed a patent-pending sandwich of high-Young’s Modulus carbon-fiber skins bonded to a balsa-wood core for the mid-bass, midrange, and tweeter diaphragms, which combines very high stiffness for proper pistonic operation, with high self-damping. Carbon-fiber construction for the enclosure also allowed him to restrict the cabinet resonance to very high frequencies, where they will have no effect on sound quality. The drive-units use Vandersteen’s patented method of avoiding rear reflections from the magnet structure. The powered 12" subwoofer fires down at the floor. All this was evident when he played a vinyl recording of Holst's <I>The Planets</I>. The Model Seven, driven by Aesthetix amplification, played with unusual clarity and definition, and I could easily follow different motifs in this orchestral selection that I had not been aware of at home. From what I heard at the Show, I anticipate the Model Seven doing very well in the review scheduled to run in the March, 2010 issue of <I>Stereophile</I>.
Music server manufacturer Blue Smoke returned to CES this year as part of the Rockport Technologies suite in the upper echelons of the Mirage. The company's product is the $6,995 Black Box music server where they focus on creating an optimal environment for digital music on the hardware side and assume the customer will choose a Windows compatible music player and interface. For their demo, Windows Media Center was used with a Dell touchscreen (seen on the right) and keyboard/mouse combo for the control functions. A MSB DAC, located under the Black Box in the photo above, converts the data to analog.
<I>Stereophile</I> scribe Kal Rubinson examines the small forest of connections on the back of the Black Box.
Wadia introduced their iTransport/Dock at the 2008 CES a couple years back and, it's no understatement to say, <I>changed everything</I>.
Remote control for the Wadia 171iTransport and 151PowerDAC mini with hard buttons for volume and track navigation.
Wadia started life decades ago as a strictly high-end digital company, and though the iPod is the main attraction these days, has not forgotten their roots.
With 1TB of internal music storage, backup management program and Shoutcast internet radio capability, the Cary Audio Design Music Server appears to be a screaming deal at the estimated $2000-2500 price range. You can also add additional music storage via USB and control everything with an iPhone or Touch running their app.