KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Pulsar 121
Vivid Audio Introduces Giya Cu Loudspeakers
PSB BP7 Subwoofer Unveiled
Sponsored: Symphonia
Apple AirPods Pro 3: First Impressions
Sponsored: Symphonia Colors
Sonus faber Announces Amati Supreme Speaker

LATEST ADDITIONS

Pseudo-Random Noise

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JL Audio Fathom f212 powered subwoofer

It's been over two years since I <A HREF="http://www.stereophile.com/subwoofers/907jl">reviewed</A&gt; a pair of JL Audio's Fathom f113 subwoofers. <A HREF="http://www.stereophile.com/musicintheround/1106mitr">Kalman Rubinson</A> and I both gave the f113 top marks for delivering clean, powerful bass in a wide variety of full-range systems. At the end of the review period, JL Audio's Carl Kennedy told me that they wouldn't send me another subwoofer for review until they had developed one that outperformed the Fathom f113 (footnote 1). To this day, the Fathom f113 tops the subwoofer category in <I>Stereophile</I>'s "Recommended Components."

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Kenny Rankin

If the cover of the latest issue of <I>Uncut</I> is any indication, “lost” albums never lose their appeal for the musically&#150;inclined or obsessed. Music fans always want what they don’t have or haven’t heard or hear is <I>hard to get</I>. It’s the allure of the forbidden record. And it’s a chief symptom of the record collecting psychoses.

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