Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Spin baby

Here's a closer look at one of Plurison's customized Regas. The face motif, according to Michel Plante, plays on the idea that an LP has two "faces" (French for "sides"), and the notion that music itself has many faces. Exact prices were not immediately available, but the plan is to sell each of the silk-screened Regas for 15% above the normal price; all of that premium will go directly to the artists who created the designs.
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Man down!

It only looks as though Steve Silberman of Audioquest is trying to ignore a corpse behind the loudspeakers; in actual fact he's explaining the finer points of JRiver playback software—a topic in which he is remarkably conversant—while a colleague works on their system's cabling.
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Into the Ethernet with AudioQuest

AudioQuest also announced their entry into the world of Ethernet cables, with a line that includes nine distinct models; seen here is the Audioquest Cinnamon Ethernet cable, priced at $69 for a 1.5-meter length. "USB won't go away," said the company's Steve Silberman, "But Ethernet will continue to grow.
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The magic Chord

In addition to AudioQuest cabling, the demo system put together by Montreal retailer Audioville comprised a pair of KEF Blade loudspeakers ($30,000), stirred into action by Chord electronics: the SPM5000 amplifier ($25,000), CPA3000 preamplifier ($10,000), and DSX1000 DAC/streamer ($13,000). The sound, as noted in Steve Silberman's demonstration, was explicit without being relentless about it: Music flowed naturally, and with decent color and very good impact, especially at the louder end of the spectrum.
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The restaurant at the beginning of the universe

I’ve reported from Salon Son et Image almost every year since joining Stereophile in 2003, and as much as I enjoy the show itself, my favorite part remains the evening before the opening day. That’s when, in accordance with an informal tradition, members of the industry and the press gather together at the Hilton Bonaventure’s hotel bar—which also happens to serve the best food of any hotel bar in my experience—to shake the dust of the town from our boots, as it were. Pictured here, from left to right, are Peter McGrath (Wilson Audio), Mike Manousselis (Dynaudio), Lionel Goodfield (Simaudio), Keith Pray (publisher, Stereophile), Philip O’Hanlon (On a Higher Note), and Costa Koulisakis (Simaudio).
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On the way to SSI 2014

It's Friday, March 28, about 11 am. I'm on the Toronto-to-Montreal train, checking the Stereophile website. Art Dudley has a SSI 2014 show report posting up already! A travelogue is a good idea; I'll try to follow Art's lead. Alas, the scenery is not the most photogenic, and shooting from a moving train has its challenges. For me, travelling by train has an association with Hitchcock: North by Northwest and The Lady Vanishes. I look at my fellow passengers; none of them bears a resemblance to Cary Grant, Eva Marie Saint, or Margaret Lockwood. There seems to be nothing sinister going on.
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Vivid Audio Giya G3 loudspeaker

In February 2013, I was taking part in a "Music Matters" evening at Seattle retailer Definitive Audio, playing some of my recordings and talking about my audio philosophy. I love taking part in these events—in addition to Definitive's, in recent years I've participated in evenings organized by North Carolina's Audio Advice, Colorado's Listen-Up, and Atlanta's Audio Alternatives—but, as might be obvious, at each one I use a system provided by the retailer. The February 2013 system comprised Classé electronics and, to my surprise, Bowers & Wilkins Nautilus loudspeakers.
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MSB Technology Analog DAC D/A converter and Analog Power Base power supply

Back in high-end audio's golden days—for the purposes of this story, the mid- to late 1980s—my audio store, Audio Ecstasy, had a service tech named Tom Hewitt. Were he still with us (and I wish he were), Tom would appreciate the radical case design of the MSB Analog DAC. Tom loved not only to fix things, but to see what happened when things were violently stressed. He tested the limits of component construction.
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