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Roger Gibboni of Rogers High Fidelity unveiled the Rogers 34S-1 integrated amplifier ($19,900, top on rack in photo). A dual-mono class-A amplifier with eight EL-34 power tubes, this baby, set to ship in March, has a unique, dedicated iOS platform (visible on Gibboni's iPad) which allows for complete functionality including bad tube indicators. Apple and Android smartphone operation via Bluetooth is included, and auto-bias circuitry and a lifetime warranty are other pluses. On a scale of 1 to 10, this product's cool factor is very, very high.

The tube warmth of the aluminum-chassis, leather-clad Absolare Passion integrated amplifier ($24,750), a hybrid SET design with a tube preamplifier section and solid-state dual mono amplifier section that aims for a "tube sound," was a touch of heaven amidst a limbo of grayness. How lovely, after encountering a number of gray-tinged presentations in other rooms, to again hear lots of enjoyable, warm color.

If my title lacks poetry, my notes are worse: they inexplicably lack any record of the sound in this room! With apologies to all, what I can tell you is that the Soulution 755 phono preamplifier ($72,000) is now available. Complete with an analog, passive volume/balance control that uses low-noise, metal-foil resistors, the 755 can be connected to an amplifier without need of a separate line stage.

Audio Note Japan, the company whose expensive gear was designed by the late Hiroyasu Kondo, is poised to replace its M Series with the new G Series in the 2nd or 3rd quarter of 2016. Among the new products playing was the forthcoming flagship preamplifier, the G-1000 ($100,000 approx.). With the former 37-step attenuator replaced by a quieter 57-step attenuator, bigger and better proprietary silver capacitors, and an expanded power supply, the preamp reportedly retains the same tonal character as its predecessor.

Raidho principals Lars Kristensen, whose surname, thanks to his business card, I've finally spelled correctly after all these years; Mikkel Simonsen, who specializes in digital circuits, software, and PCB work; and Michael Børresen, the speaker designer/chief engineer who is responsible for overall concepts, visual and functional design, and analog circuitry; showed off the great, full-range sound of Raidho's new D-3.1 loudspeakers ($65,500/pair). Not the least bit shy at frequency extremes, the D-3.1 loudspeaker topped off a system that was equally at ease with fast, slamming percussion and naturally zingy piccolo.

Although the Valve Amplification Company (VAC) system at CES 2016 was virtually identical to the one I blogged at RMAF last October, save for the shrouded TV or mirror, there was a world of difference in the sound. VAC's Kevin Hayes attributed the improvement to a change in tubes in the VAC Phi 170 IQ master preamplifiers ($9900). While the tubes at the earlier show were Russian Gold Lion KT-88, here they were Chinese Shuguang KT-88SC. The sound on the Mahler 9 SACD I played at CES was very, very beautiful.

Monitor Audio has now moved to its second-generation Platinum series loudspeakers, which Monitor presents as "most accurate and beautiful loudspeakers" the company has ever made. Shown was the top-of-the-line, towering PL500 II ($28,995/pair), whose front baffles are hand-upholstered in the same Ingleston leather used in many luxury British brands.