LATEST ADDITIONS

I remember the first PS Audio product: a simple phono stage. It was so simple—a passive RIAA EQ filter flanked by a pair of primitive op-amps—that when the schematic was made public, I built one myself; I was in the midst of my DIY years. I thought it was, to use a word from that time, nifty. Paul McGowan went on to other things and other companies, eventually reviving PS Audio and building it into its present form with a wide range of interesting and substantive products. Most recently, PS Audio added a line of loudspeakers inspired by Paul's erstwhile partner in other ventures, the late Arnie Nudell.

The PS Audio Aspen speaker line has four models, three 3-way floorstanders (FR30, FR20, FR10) and a single two-way standmount (the FR5, $3499/pair).

Harmonia Distribution brought a respectable system to CAF, including a Grimm Audio MU2 Media Player Streamer Preamplifier ($17,500), PrimaLuna EVO 400 Tube Preamplifier ($4995), and a product I raved about at Stereophile and continue to use, the PrimaLuna EVO 300 Hybrid Power Amplifier ($7195).

What’s in a name? Joe Finn of Timonium, Maryland’s Gramophone clearly knows the answer. He brought a compact system to CAF, one stocked with overachieving gear and equally ambitious cables, courtesy of AudioQuest.

Bose Corporation announced today the acquisition of McIntosh Group, the parent company of high-end audio brands McIntosh and Sonus faber. The move aims to broaden Bose's offerings into the high-performance and luxury audio markets.

This is the CAF room that all my audio running buddies and even non-buddies told me about: Songer Audio.

I strolled in and took a seat in front of a LampizatOr Atlantic 3 TRP DAC ($7325), an Innuos Statement Next-Gen Server & Streamer ($25,000), and Phoenix NET Network Switch ($4349). These components fed a Whammerdyne Heavy Industries DGA-Ultra 2A3 Integrated Amplifier ($5995). Whammerdyne Heavy Industries sounds like a Roadrunner cartoon company gone wrong, but I stayed put.

Traditionally in hi-fi, "distribution" refers to importing and warehousing audio equipment then delivering it as needed to a network of domestic dealers. In recent years, that model has evolved. Distributors have expanded the range of services they offer, and an increasing number of companies are skipping the distributor step altogether: dCS and T+A, among other companies, have established wholly owned subsidiaries in the US to handle importation, local warehousing, and other domestic duties. They and others have hired full-service sales and marketing agents, sometimes called "brand ambassadors." The goal, of course, is to make the practice of getting a product into the country and on the radar of dealers and customers as efficient and effective as possible.

Voxativ's Inés Adler and Christopher Owens are never caught dead empty-handed at shows. This puts me in a state of expectant glee, as their sound, regardless of genre, always resolves itself into something joyful. Even my neurotic hotel-hall dashes, pad and pen in hand, are washed away in Voxativ’s sonic tide.