LATEST ADDITIONS

EISA, or the Expert Imaging and Sound Association, is an organisation representing 60 of the most respected special interest publications and websites from 29 countries that cover Hi-Fi, Home Theatre Video, Home Theatre Audio, Photography, Mobile Devices, and In-Car Electronics. Every year EISA's Expert Group members, including editors from this publication, test a very wide range of new products from their field of expertise before comparing results and voting to decide the cream of every product category.

The Swedish Rauna company, which has been in existence for about five years—their little Mk.II Tyr two-way impressed J. Gordon Holt a couple of years back in Vol.9 No.2—appears to be dedicated to the use of concrete as an enclosure material. One of the problems with conventional wooden cabinets is that the walls flex and vibrate, adding a spurious and often time-delayed output at some frequencies. It has even been reported that in extreme cases, the contribution of the cabinet to the overall sound at some frequencies approaches that from the drive-units. In theory, concrete should give a rigid construction with any panel resonant frequencies moved up above the critical midrange.

Imagine an electronic magic wand you could wave at your listening room's acoustical problems to make them disappear. The Cambridge Signal Technologies SigTech TF 1120 may be just such an alchemical device. Its efficacy depends on the nature of the acoustical warts in your listening environment. Operating solely within the digital domain, the SigTech device can perform both drastic and subtle frequency-response and time-domain corrections that are beyond the scope of analog-based units. While the TF 1120 is expensive, in some situations it may still be the most cost-effective way of coping with acoustical gremlins. Is it the solution to your problems? Perhaps.

Crossing borders and genre boundaries is never easy, but for Bryce Dessner, it's become a familiar experience.

Dessner, 45, a classically trained guitarist, multi-instrumentalist, and composer, has racked up multi-hyphenates over the last couple of decades of his musical career. Arguably best known for his work with indie rock band The National—where he shares lead guitar, piano, songwriting, and other duties with his identical-twin brother Aaron—he's also an accomplished arranger and producer and cofounder of two record labels.

Despite one website's recent claim that "Vinyl's Revival Is Already Fading," Nielsen SoundScan recently announced that vinyl sales for the first half of 2018 were up 19.2% over 2017, led by Jack White's Boarding House Reach, with 37,000 copies sold so far (and we know that N/S misses a great deal of the action). While on the West Coast looking for business, a friend of mine who's about to open a major vinyl-pressing plant on the East Coast was told by everyone that they're experiencing "double-digit vinyl growth." No one was seeing a slowdown ahead.

Gil Evans Orchestra: Out of the Cool, Harold Land: Westward Bound!, Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album and Chris Potter Circuits Trio: Sunrise Reprise.

Black Sabbath: Sabotage Super Deluxe and Chrissie Hynde: Standing in the Doorway.