LATEST ADDITIONS

If I could attend just one music festival each year, it would be Iceland Airwaves, held October 12–16, in downtown Reykjavik, Iceland. Launched in 1999 (in an airplane hangar!), Iceland Airwaves holds parties and performances in a handful of the city’s best venues and sets exciting local talent alongside outstanding international acts&#151all within a landscape of stunning beauty.

Cycles can be seen in the fortunes of companies. Likewise cycles can be seen in the performance of companies' products. A particular range will appear to have got it just right, whatever "it" is. The designer may have hit a winning streak and thus steal a lead over the competition. C-J set a new state-of-the-art preamp standard in the late '80s with their Premier Seven, and some of that expertise and experience are beginning to pay off in the shape of new high-performance preamplifiers at realistic prices. Moreover, the pressure was on to develop better power amplifiers to match. Two important products have emerged from all this in C-J's moderately priced FET range, namely the PF-1 preamplifier and the matching MF-200 power amp. By audiophile standards, these are moderately priced at $1295 and $1995, respectively.

"I don't like Mondays!" sang Bob Geldof some years back, and I'm beginning to hate Mondays too. No, not for the obvious reason. You see, Monday is "hate-mail" day. Every day I get letters from Stereophile's readers. But for some reason known only to the mavens (or should that be Clavens?) of the US Postal Service, the ones pointing out my stupidity, dishonesty, and sheer incompetence as a human being arrive on Mondays.

For example: "Bits are bits, and it is therefore dishonest for Stereophile's writers to continue to insist that they can hear any differences between CD players or digital processors!" recently wrote an angry reader, canceling his subscription. (They always tell me they're going to cancel their subscription.) "Yeah, right!" thought I, having just sat through a comparative audition of, would you believe, digital data interconnects in Robert Harley's listening room. Some of the differences I heard were not trivial. They might even be audible in a blind listening test.

Oneohtrix Point Never is young electronic composer Daniel Lopatin. His critically acclaimed Returnal shook my listening room walls, clattered around in my mind, and stirred my soul. While more lighthearted recent collaborations with Joel Ford (first under the guise of “Games” and later simply as “Ford and Lopatin”) haven’t reached the same emotional depths, news of Lopatin’s upcoming album, Replica, is intriguing.

Already flooded with contenders offering innumerable models in various shapes, sizes, and colors, the headphone market grows even larger today with the launch of SOL Republic, a “music lifestyle company” dedicated to “delivering innovation in sound, style, and durability.” Four SOL Republic models will initially be offered: Amps ($59.99) and Amps HD ($99.99) in-ear models, and Tracks ($99.99) and Tracks HD ($149.99) on-ear models.

The company, whose initials stand for “Soundtrack of Life,” is led by three music lovers with impressive backgrounds in business development and marketing:

While change follows Stateside change for Naim Audio, enthusiasts for the venerable British brand on this side of the pond recently got a bit of good news: Chris West, the tech-savvy Englishman who managed Naim Audio North America for over 20 years, is back in the business of servicing Naim gear.

During the final episode of Radio Happy Hour, held at Manhattan’s Le Poisson Rouge on Friday, August 12, we were treated to performances by New York five-piece, Twin Sister. The band played a selection of songs from In Heaven, an unabashed pop album full of hooks and charms, to be released by Domino on September 27.

I was drawn to this music from its earliest moments&#151those celestial and far-reaching chimes, old-school synth beats, and Andrea Estella’s arresting vocal delivery, a strange and glittering coo, reaching out to “Daniel”: