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This is the CAF room that all my audio running buddies and even non-buddies told me about: Songer Audio.

I strolled in and took a seat in front of a LampizatOr Atlantic 3 TRP DAC ($7325), an Innuos Statement Next-Gen Server & Streamer ($25,000), and Phoenix NET Network Switch ($4349). These components fed a Whammerdyne Heavy Industries DGA-Ultra 2A3 Integrated Amplifier ($5995). Whammerdyne Heavy Industries sounds like a Roadrunner cartoon company gone wrong, but I stayed put.

Adrian Ford-Crush manned the Audio Note (UK) room solo at CAF, though whispers circulated about the brand’s major domo Peter Qvortrup lurking in the crowd. Surprisingly, the usual Audio Note techno and classical blasts were replaced by soothing folk and jazz, a balm for weary show-goers.

Traditionally in hi-fi, "distribution" refers to importing and warehousing audio equipment then delivering it as needed to a network of domestic dealers. In recent years, that model has evolved. Distributors have expanded the range of services they offer, and an increasing number of companies are skipping the distributor step altogether: dCS and T+A, among other companies, have established wholly owned subsidiaries in the US to handle importation, local warehousing, and other domestic duties. They and others have hired full-service sales and marketing agents, sometimes called "brand ambassadors." The goal, of course, is to make the practice of getting a product into the country and on the radar of dealers and customers as efficient and effective as possible.

One of my first stops at Capital Audiofest 2024 was the Blink High End room, which featured the debut of the Børresen C1 stand-mount speaker ($16,500) as well as the Aavik U-588 all-in-one integrated amplifier ($35,000). My first impression upon walking into the room was, "Where's all the gear?"

In the September issue of Stereophile, in this space, I proposed a way to attract more young people to hi-fi. To reach younger people with your products, I argued, speaking mainly to manufacturers, create products that have integrity about them and that also tell a story. Products with a message, products endowed with meaning. Use good materials, classic designs, historically important circuits. To improve value and performance, keep the parts count low and assembly simple. These products need to be reasonably affordable, but it's okay to ask young people to stretch for something fine. . .

After that article hit newsstands, I got feedback, much of it of the "get off my lawn" variety.

Bill Voss of Technics was tardy to his Alma/Technics room at Capital Audiofest 2024, so Stereophile managing editor Mark Henninger and I sidled in, invited show attendees, and spun some discs. By the time Bill arrived we had a small party going.

My goal, in writing reports on the Warsaw Audio Video Show, may be to mix products from Polish brands with a few noteworthy premieres. But when a chance meeting during dinner led to the discovery of Mozzaik Audio, headquartered in Croatia just a few countries south of Poland, my interest was piqued.