
LATEST ADDITIONS
Recording of June 2020: Eenvalds: Translations
Portland State Chamber Choir, Ethan Sperry, cond.
Naxos 8.574124 (CD, auditioned as 24/96 WAV). 2020. Erick Lichte, prod.; John Atkinson, Doug Tourtelot, engs.
Performance *****
Sonics ****½
I'll admit to a conflict of interest in choosing as Recording of the Month a work co-engineered by our very own John Atkinson. WeI, who nominated the piece, and Editor Jim Austin, who ultimately chose the winnerhave both worked with John for years. And I'd never deny it was moving to sit next to him during his recent visit to Port Townsend following the release party for this new album, Translations, watching him shed tears as we listened together to the heavenly voices of the Portland State Chamber Choir singing "In paradisum" (2012), which Latvian composer Eriks Eenvalds dedicated to his grandmother, who died the morning of the premiere.
DisConcerted
John Atkinson: a Career in Audio
We connected with Skype and, in the two videos embedded below, Adrian and I, along with Jan and Vilip from Audio Excellence, talk about many things connected with my 52 years as an audiophile, my 43 years in audio magazine publishing, and my 33 years at the editorial helm of Stereophile.
AXPONA: Moving On from Here
Jim Campilongo: Telecaster Master & Audio Enthusiast
The musician in question was Jim Campilongo . . .
Vortex Screen loudspeaker
Classé Audio DR-3 power amplifier
A well-worn, if unproven, audiophile rule of thumb says that a small, quick amplifier will sound better than a very powerful one. Among low-powered amps, those that operate in "pure" class-A are thought to be sonically superior. Pure class-A means the amplifier must run a constant high bias (more than one ampere), so the output devices never turn off.
Streaming Salvation for the Sequestered--UPDATED 5/5!
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Thursday, May 7 10pm EDT: The Noe Music Listening Club features composer Jake Heggie discussing and performing his music and that of his music heroes. Sign up here.
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The Metropolitan Opera streams live performances for 25 hours. This week’s schedule is:
May 6 Saariaho’s L’Amour de Loin
May 7 Strauss’s Capriccio
May 8 Puccini’s La Bohème
May 9 The Opera House
May 10 Mascagni’s Cavalleria Rusticana / Leoncavallo’s Pagliacci.
More...
AXPONA Canceled; No Refunds for Exhibitors - UPDATED
See below for the original story published 30 April.