Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Wild Beasts Offer Soundcheck & Make “Bed of Nails,” Le Poisson Rouge Teams with Concert Window

I’ve listened to no album this year more than I’ve listened to Wild Beasts’ Smother. For that matter, I’ve enjoyed no album more this year than Wild Beasts’ Smother. It courses slowly and deliberately through colors and moods of pain, longing, love, and desire&#151all that good stuff&#151and it does so with such a gentle touch, a delicious smoothness, a constant, lulling pulse.

It pours from your loudspeakers and into the room.

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Chris Dingman’s Waking Dreams

Chris Dingman’s Waking Dreams is a very big, pleasant surprise. I’d never heard of Dingman, who plays vibes and composed all but one of the CD’s 14 tracks. The label, Between World Music, is Dingman’s own, and this is its only release (usually a bad sign). I must confess that I probably put it on at all only after noticing that one of the musicians playing on the album (the only one in the sextet whose work I know) was Ambrose Akinmusire, the most exciting new trumpeter on the scene. And well, as I said, what a surprise.
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Cedille Offers 24-bit Downloads

Cedille Records, the label of The Chicago Classical Recording Foundation, has just released its first three high-resolution FLAC downloads. Available in 24-bit/44.1kHz sampling rate format (as well as 16/44.1 and 256 kbps MP3), complete with accessible liner notes and cover art, the titles are a treasure-trove for classical aficionados and collectors.

First up is Winging It: Piano Music of John Corigliano. Performed by Ursula Oppens, who has achieved legendary status as a new music virtuoso, the CD includes the world premiere recording of Winging It (2008), which the Pulitzer Prize-winning Corigliano wrote for Oppens.

Even newer are Capricho Latino, a disc from violinist Rachel Barton Pine of rare Spanish and Latin American music written solely for the unaccompanied violin; and The Pulitzer Project, performed by the Grant Park Orchestra and Chorus under Carlos Kalmar and Chorus Director Christopher Bell. Pine's disc includes Alan Ridout's Ferdinand the Bull with narrator Héctor Elizondo, and 13 other works by composers familiar and obscure. You can sample a few of the tracks before purchasing.

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Ypsilon PST-100 Mk.II line preamplifier

Though essentially a two-man operation based in Athens, Greece, Ypsilon Electronics has been, since 1995, turning ears and eyes throughout the audiophile world with purist, hand-crafted electronics whose sound seems to defy characterization. Even under audio-show conditions in difficult hotel rooms, and often driving unfamiliar loudspeakers, the sound of Ypsilon electronics seems to evaporate in ways that few products manage, leaving behind less residue and more music.
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Listening #103

As metaphors go, the silver bullet is somewhat ambiguous, given that it's used to represent both the reliably destructive and the reliably beneficial. (Who would have guessed that an idea from a Lon Cheney Jr. film would prove too subtle and complex for people in the 21st century?) Nevertheless, at Montreal's Salon Son et Image on April 2, those of us who comprised Stereophile's reliably responsive "Ask the Editors" panel—John Atkinson, Robert Deutsch, and I—volleyed it with the sort of sprightly, vernal abandon that is the sole province of men with gray hair. To wit: We agreed that no materials, technologies, or design decisions can either guarantee or prevent good sound. Not vinyl. Not star grounding. Not class-A circuits. Neither tubes nor transistors. Neither belt nor idler nor electrostats nor multiway nor single-driver nor copper nor silver nor silk nor beryllium. Not even harmonic distortion. Each of those ideas may mean something to someone, in the short term, in the narrow view, but that's all. There are no silver bullets.
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Thiel Audio SCS4T loudspeaker

Sometimes, the words of the prophets are written on the subway walls and tenement halls. Other times, their words and ideas are made manifest through a lifetime of diligent and thoughtful work. As an audio prophet, the late Jim Thiel was one of the latter type. For decades he stood in his pulpit, quietly preaching to the audio world the importance of time and phase coherence in loudspeakers. His commitment to these ideas led to speaker designs that exclusively used first-order crossover networks, and driver designs and layouts that made possible time- and phase-coherent response. The speakers he created in turn built his company, Thiel Audio, into one of the more recognizable fixtures of high-end audio.
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Audience ClairAudient 2+2 loudspeaker

It seems the obvious way to build a loudspeaker: one driver, no crossover, full range.

Instead, most speakers work this way: Complicated electronics split the audio signal into pieces, adding various colorations and phase shifts along the way. The pieces are distributed to different drivers, each of which adds another unique set of characteristics. We then expect these fragments of electronic signal to be brought together again in a continuous, coherent reproduction of music. We agonize over different cable routings or which contact cleaner to use, and yet we calmly accept this grotesque sausage-making way of building speakers. It's ludicrous.

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A Dream Come True

I received a very kind note from Owen McCafferty, who, along with Ben Meadors, hopes to travel to Portland, San Francisco, Chicago, Cleveland, and New York City, meeting vinyl collectors, record store owners, and other vinyl enthusiasts, to discuss why vinyl is important. The duo will document their journey and publish a book detailing their experiences.

A week ago, when we first caught up with Owen and Ben, they were about $2000 away from the funds needed to support their Kickstarter project.

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A Captivated Audience at the 2011 California Audio Show

A packed and captivated audience in the MBL room.

I was delighted to see so many people at the 2011 California Audio Show so attentively listening to music, as though listening to music on the hi-fi in 2011 is as much of an event as watching an episode of “True Blood” on Sunday night, or attending a concert at a music hall. Of course, we know that listening to music on the hi-fi is a special event, an active, enriching, and entertaining experience, worthy of our time and energy for the joy and nourishment it brings our minds and souls. It’s a lot of fun. If you were present at the California Audio Show, you experienced this.

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