LATEST ADDITIONS

Multiple product premieres take place at Berkeley, CA store Music Lovers Audio (2116 Blake Street), Saturday December 5, from 1pm–6pm. Philip O’Hanlon of On A Higher Note is presenting the North American premiere of the Vivid B1 Decade, 10th Anniversary, limited-edition loudspeaker (above). John Quick of dCS will show the new dCS Rossini D/A processor, and Peter McGrath of Wilson Audio Specialties will present the Wilson Sabrina loudspeakers in a system featuring the Spectral DMC-30SV Super Veloce preamplifier.

With Solo, his 49th album as a leader (or co-leader) and 10th as a soloist, Fred Hersch nails his standing as one of the premier jazz musicians of our time, a pianist of subtle touch and propulsive flow, something like Keith Jarrett but more focused, less rhapsodic—Ravel to KJ's Liszt or Rachmaninoff (not that there's anything wrong with either).

Viva Hifi (Vienna, VA, near Washington, DC), is holding a special Technics Open House Saturday, December 5, from noon–7pm. The featured guest will be Gregg Lee, Training Manager for Technics, who will be presenting and discussing Technics' new C700 Premium Series components (above). This series features a D/A integrated amplifier, a network player and CD player, as well as the new, linear-phase, point-sound-source SB-C700 loudspeaker, which is enthusiastically reviewed in the forthcoming January issue of Stereophile.

In July 2000, I reviewed the Mark Levinson company's first integrated amplifier, the No.383, and found that its sound had "clarity, transparency, liquid mids and highs, with dynamic contrasts." Also evident were the No.383's power-output limitations, the result of building large power supplies and heatsinks into a single case that had to fulfill multiple functions. Still, the No.383's price of $5900 was much less than the total cost of the equivalent in Mark Levinson separates. Later, in April 2007, I reviewed a similarly powered integrated amplifier, Bryston's B100-DA ($3195), which included a built-in DAC.

For me, one of the highlights of 2013 was being able to live with the Sonja 1.3, the flagship loudspeaker model from Colorado-based YG Acoustics. I reviewed this tall, massive, three-enclosure tour de force of a design, which costs $106,800/pair, in July 2013, and was not surprised when, for the December 2013 issue, Stereophile's writers voted it one of the magazine's two Loudspeakers of the Year. So when I was asked last spring if I wanted to review the new version of the smallest and least-expensive model in YGA's lineup, the request fell on receptive ears.

Just as John Atkinson has a special telephone on his desk, by means of which the late J. Gordon Holt expresses his displeasure at this magazine's continuing decline into latitudinarianism, my own desk is littered with a dozen or so windup timers, each set to remind me how long it's been since I last wrote about this or that hi-fi eccentricity. Each timer has its own distinctive ring: The one labeled "LOWTHER" is a bit shrill, especially at certain humidity levels, while the one marked "QUAD ESL" can be heard to best advantage only when sitting in a particular spot—and even I have to admit that my "CARTRIDGE ALIGNMENT" timer seems to go off rather too often.