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Every good show has a vibe, and the vibe at Capital Audiofest owes a lot to the region's very spirited DIY community…

At 5pm on a Thursday, some Thursdays ago, Robert Baird and I embarked on a post-work record hunt in Brooklyn. More specifically, we explored Williamsburg, otherwise referred to as "Hipster Land" (footnote 1). Aside from being an all-round neat neighborhood, Williamsburg is also home to quite a few record shops. This trip, we decided to keep our stops to a minimum and focus on two of our favorites: Rough Trade (64 N 9th Street, Brooklyn, NY 11249) and Earwax Records (167 N 9th Street, Brooklyn, NY 11211).

To hear the system demonstrated by The Voice That Is was to conclude, on the basis of that experience and previous experiences with systems put together by proprietor Doug White, that the man is utterly incapable of making bad sound…

I like the out-of-the-ordinary, possibly because I have been disappointed by the ordinary often enough that I'm not uncomfortable looking elsewhere. So I'll admit up-front that I was predisposed toward enjoying Larsen loudspeakers, from Sweden, which are designed to perform their best, not in an anechoic chamber but in a real room, when positioned up against a real wall. Even that bit of psychological preconditioning didn't prepare me for how impressed I was by the Larsen 8 ($7000/pair), driven by a GamuT Di150 integrated amplifier ($13,990), itself fed by a Pear Audio Blue Kid Howard turntable ($5000 w/tonearm) and an Ortofon Cadenza Black cartridge.

The opening-day buzz at CAF was all about the Mk.2 version of KEF's giant, chromed Muon loudspeakers. Styled by Ross Lovegrove, the Muon is like those concept cars we all love at the car shows—it had a big quotient of wow-factor—but everyone in the room knew they would never get to drive them home. But with the Muon, at least we could touch and listen.

Michael Fremer may be Stereophile's Mr. Analog but he was mightily impressed with the Moon 780D digital processor from Simaudio, which never meets a source of data it can't turn into music. Herb Reichert gets excited by an affordable tube preamp from Rogue, as does Fred Kaplan over an expensive VTL tube preamp; and Art Dudley and John Atkinson get much musical enjoyment from Sony and PSB speakers, respectively. And as well as our regular "Analog Corner," "Listening," "Gramophone Dreams," "Aural Robert," and "Industry Update" columns, Sasha Matson interviews Ayre's Charley Hansen—the "Wizard of Boulder"—Robert Baird talks to power-pop icon Bill Lloyd, and Robert Schryer kicks the issue off by examining how audiophiles can get into their "Happy Zones."

The August 2016 issue of Downbeat includes the results of its 64th annual Critics Poll, and, as usual, I'm in accord with some picks, in discord with others. (I should say, I started to cast my votes in the poll, but something went wrong with the server halfway through and I never got back on.)

Many of the results are strange, as democratic theory would predict of any poll that involves many candidates. (It's conceivable, for instance, that the winner of a category might be someone who was nobody's #1 choice: maybe this musician was everyone's #2, but the picks for #1 were so split, among so many other candidates, that the universal #2 rose to the top.)