LATEST ADDITIONS

Room 1225 with Fidelity Imports offered a jolt of musical energy—vinyl spinning, bookshelf speakers punching, and a vibe that was more “groove and grind” than “rise and shine.” Even early in the day, the system sounded wide awake.

For me, one of the biggest surprises at Munich High End 2024 was the performance of Constellation’s new Revelation 2 stereo amplifier ($30,000), preamplifier ($25,500), and phono stage ($29,000). I’d expected refinement, but not this level of clarity; previous Constellation gear had sometimes struck me as a little dark. In Munich, the sound was beautifully illuminated, with wonderful colors and an ideal amount of brightness in the treble.

Sylvie Courvoisier and Mary Halvorson: Bone Bells; Branford Marsalis Quartet: Belonging; François Couturier and Dominique Pifarély: Preludes and Songs; Noah Preminger: Ballads; Jim Snidero: Bird Feathers.

Peter Perrett: The Cleansing; The Blasters: Over There: Live at the Venue, London – The Complete Concert; Inhaler: Open Wide; Ray Charles: Best of Country & Western; Teddy Swims: I've Tried Everything But Therapy (Part 2).

In front of a passive hallway display in the lobby of the Renaissance Schaumburg Convention Center, Mark Henninger and I caught up with TJ Goldsby, AXISS Audio's vice president of sales and dealer relations, and Takaya Inokuma, senior management director, Accuphase Laboratory. Together, we chatted about the first showing of the brand-new, entry-level Accuphase E-3000 integrated amplifier ($8975). Accuphase's new class-AB integrated outputs 100Wpc into 8 ohms.

The Palm Ballroom and adjacent rooms hosted systems from Acora Acoustics, Scott Walker Audio, and VAC—an ambitious collaboration by Valerio Cora, Scott Walker, and Kevin Hayes. The trio presented a range of well-curated systems.

Persistence Pays Off: Audio Research's Best and Sonus faber's jewels Sound Fabulous with dCS, Clearaudio, DS Audio, Innuos, Kubala-Sosna, and Critical Mass