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The hi-fi industry is evidently experiencing a shortage—not of parts or materials as during COVID and just after, but of qualified salespeople. As this column has pointed out, some hi-fi shops have closed, for various reasons, while some new ones have opened. Meanwhile, not just dealers but also manufacturers and distributors have reported difficulty finding qualified salespeople. Michael Manousselis, president of Americas for Dynaudio, stated as much in emailed responses to my questions. "I have heard more from dealers having a hard time finding experienced salespeople, that is for sure," he said. "We've seen some hire former customers, to groom them for sales."

What's going on? If people are passionate about this hobby, wouldn't they jump at the chance to get more involved in it professionally?

"Shot?", said Boris. It was more a command than a question. He poured Beluga vodka into my glass. "My father drank three shot every day," Boris said. "Lived to 87." Boris Meltsner is the owner of Amped, a very fine range of class-D amplifiers. I was visiting him at the 2024 Capital AudioFest (CAF) in Rockville, Maryland. Boris hails from "Soviet Union, not Russia," he said in an accent as thick as a potato-filled piroshki. "Was called Soviet Union when I left."

Visiting CAF is a joy for me. I recently sold my company, Music Hall, and I was already missing the camaraderie of my industry colleagues and the fun of playing and listening to music.

Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable. Occasionally we get complaints from manufacturers who object to being included in, say, Class B. That's their error: Inclusion in Class B is something to be proud of.

Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared. "Vol.48 No.3" indicates our March 2025 issue, for example. "WWW" means the review is also posted online.

Gary Lea of Supreme Acoustic Systems graciously allowed me into his room pre-show, because he knows I am a horn-loaded loudspeaker fanatic. After one look at Odeon Audio’s German-made Semper loudspeakers ($49,900/pair), I had to contain myself.

Victor Kung was my virtual mom in Tampa, feeding me Ritz crackers, bananas, Cheerios, Kind bars, and delicious instant coffee when my energy flagged. Victor’s generosity was also on display in the lovely, tubed components he brought to his small room, easily one of my favorites of the show.

At an exclusive event hosted by Manhattan Motorcars in New York City, I had the chance to speak with Walter Schofield, a consultant representing Oneiros loudspeakers. Surrounded by luxury automobiles, our conversation explored why these ultra-high-end speakers fit perfectly into a dealership known for its selection of rare, exclusive, and exotic vehicles.

Rhino Records started in 1978 as an eclectic indie label specializing in compilations and offbeat reissues. Its emblem was a scowling rhinoceros-human hybrid with a record spinning on the tip of its horn. Time Warner acquired the label during the 1990s, and today Warner Music uses it as its chief nonclassical reissue vehicle.

As a back-catalog label, Rhino was active early in the vinyl revival—and it continues to be. Rhino quickly learned that a popular older album, when released as a high-quality physical artifact—whether it's an LP, a CD box, a multichannel Blu-ray audio disc, or a combination of formats—engages fans more than merely dropping a new remaster onto streaming. I spoke with Rhino's president, Mark Pinkus, about the company's three-tier vinyl strategy soon after the company announced the third of those tiers, a new, lower-priced all-analog vinyl line called Rhino Reserve.