Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Sponsored: Symphonia Colors

LATEST ADDITIONS

VPI Magic Brick

The VPI Magic Brick is an 8lb block of steel laminations, about 5" by 3" by 2", encased in a nicely-finished oak box for aesthetic appeal and for protecting whatever the brick is sitting on from scratches. Placing the Brick over the power transformer of a piece of electronic gear is supposed to improve the sound of your stereo system.
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Koss PRO-4, PRO-4A and Pro/4 AAA Plus headphones

Almost a dead-ringer for the early-model Sharpe HA-10, Koss's PRO-4 ($45) is readily distinguishable by a large knurled protuberance sticking out of the lower part of the right-hand phone. This, in case you've wondered, is a mounting for a "boom-type" lip microphone, for use in speech labs and for communication purposes. (Sharpe and Permoflux also provide facilities for attaching a lip-mike.)
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Talisman S MC phono cartridge

The Talisman S represented, ca 1983, the top of Sumiko's moving-coil cartridge line and shared its design philosophy and external appearance with the Talisman A and B, the remaining two cartridges in the Talisman family before the introduction of the Virtuoso line. The three differed only in cantilever material and stylus shape. The A, the least expensive, had an aluminum alloy cantilever and an elliptical diamond stylus.
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Gramophone Dreams #37: JSikora Initial turntable & Grado Aeon3 phono cartridge

My most cherished intangibles—love, beauty, glimpses of higher realms—enter my awareness only after I prepare my psyche to receive them. Extended bathing, lighting candles, making tea, and preparing food are ritual work forms that prepare my senses to accept both pleasure and illumination. In like manner, collecting LPs and storing them properly, setting up turntables, aligning cartridges, and cleaning styli are ritual actions that prepare me for the high moments of focused musical pleasure only a black disc can provide.
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Listening #210: Guns N' Neuroses, the Life of a Used-Gear Specialist

During the years I lived in New York City and environs, I never learned my way around Brooklyn—something I now regret, given that borough's emergence as a hotbed of audio creativity: our industry's Laurel Canyon, so to speak. Such gone-but-not-forgotten brands as Futterman and Fi were manufactured there, and today Brooklyn is home to DeVore Fidelity, Lamm Industries, Mytek Digital, Grado Labs, Ohm Acoustics, and Oswalds Mill Audio.
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Book Review: Designing Audio Power Amplifiers

Designing Audio Power Amplifiers, Second Edition, by Bob Cordell, Routledge/Focal Press, 2019. 776pp. $160.00, hard cover; $97.95, paperback.

I first met Bob Cordell at clinics he gave at the last audio show Stereophile organized, Home Entertainment 2007, in Manhattan. At those clinics, Bob shared his views on why amplifier measurements are not always good at predicting differences in sound quality. So when I was scheduled to host a seminar—"Amplifiers: Do Measurements Matter?"—at this year's now-canceled AXPONA, Cordell was on the short list of designers I felt would offer valuable insight.

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Will the Circle Be Unbroken?

I loved New Orleans music before I even knew what it was.

In the mid-1960s, I went to high school in Williamsburg, Brooklyn, which back then was a bleak, On the Waterfront landscape of dock workers and drifters hanging out in the pool halls along Bedford Avenue. We were warned to watch out on our way to track practice at nearby McCarren Park, because the pool halls were violent and confrontations often spilled out onto the street.

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