FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Conrad-Johnson PV-5 preamplifier

The $1485 PV-5 is a "budget" version of C-J's $2850 Premier Three preamplifier, but according to the manufacturer it embodies much the same kind of circuitry.

Tubed preamplifiers have a well-earned reputation as system busters. Many of them during warmup produce horrendous bangs or plops so severe that every speaker fuse in the system blows. If fuses are absent, or rated too high to protect things, the amplifier, speakers, or both are likely to blow up (not literally; they just twitch once and lie down dead). The PV-5 contains one of the most effective pop suppressors I've encountered, and produces no noise whatsoever during warmups and turnoffs.

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Bryce Dessner: Crossing Boundaries

Crossing borders and genre boundaries is never easy, but for Bryce Dessner, it's become a familiar experience.

Dessner, 45, a classically trained guitarist, multi-instrumentalist, and composer, has racked up multi-hyphenates over the last couple of decades of his musical career. Arguably best known for his work with indie rock band The National—where he shares lead guitar, piano, songwriting, and other duties with his identical-twin brother Aaron—he's also an accomplished arranger and producer and cofounder of two record labels.

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Analog Corner #278: Swedish Analog Technologies LM-09 tonearm; DS Audio Master1 optical cartridge

Despite one website's recent claim that "Vinyl's Revival Is Already Fading," Nielsen SoundScan recently announced that vinyl sales for the first half of 2018 were up 19.2% over 2017, led by Jack White's Boarding House Reach, with 37,000 copies sold so far (and we know that N/S misses a great deal of the action). While on the West Coast looking for business, a friend of mine who's about to open a major vinyl-pressing plant on the East Coast was told by everyone that they're experiencing "double-digit vinyl growth." No one was seeing a slowdown ahead.
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Revinylization #20: Kind of Great: Kind of Blue

Does the world need another audiophile reissue of Kind of Blue? This was the obvious question to ask upon news that Chad Kassem's Analogue Productions was joining the party. The album's arrival in the mail (yes, of course, I bought one) signaled that something special might be happening: the classy hard-box slip case with the wooden dowel spine, the Stoughton tip-on gatefold jacket graced with well-reproduced session photos, a handsome booklet, and, finally, the LP: a 200gm UHQR pressing on off-white Clarity vinyl.
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Analog Corner #279: Technics SL-1000R turntable, Swedish Analog Technologies CF1-09 tonearm

Technics' sudden decision, in October 2010, to stop making its iconic SL-1200 direct-drive turntable, then in its MK6 iteration, took vinyl fans by surprise. At the time, although sales of vinyl and turntables for home use were surging, their use in clubs was falling as DJs moved to the digits. According to Technics (a division of Panasonic), production of the SL-1200 was stopped not because professional sales dropped, but because the factory tooling for manufacturing them had worn out, and retooling wasn't cost-effective.
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Accuphase DG-68 Digital Voicing Equalizer

We hold these truths to be self-evident, that all men are created equal.

A great concept—sound enough to serve as the foundation for an independent democratic nation.

Yet what's sound in one sphere doesn't necessarily apply to sound in another, namely the rooms in which our systems reside. As much as we audiophiles may wish to declare our independence from room resonances, image smearing from first-order reflections, slap echo, and every other environmental and speaker-related factor that can handicap system performance, no mere declaration will make it so. Not all rooms—and not all components—are created equal.

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