Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

A Funky Donald Byrd, Live from Montreux

At this point in the vinyl revival, it's hard to believe there are many undiscovered masterpieces left that are worth discovering. Record Store Day (RSD), a much-ballyhooed source of unique and unreleased music on vinyl, has been a major spur in the drive to plumb the vaults, but even though it has an excellent reputation, most RSD unearthings have turned out to be less than essential.

The increasingly rare exceptions are to be celebrated. Here's one. Just before the year turned to 2023, on what would have been Donald Byrd's 90th birthday, a smoldering, untapped artifact surfaced after 50 years in the can.

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What I picked up at the Florida Expo 2023—besides COVID

It was bound to happen sometime. The day after my return from the Florida Audio Expo, I tested positive for COVID. I'd worn a facemask on the plane, but not during the three days of pressing the flesh, listening, and reporting. (In fact, no one at the show did.) I suppose I paid for my lack of super-caution with several days of chills, headaches, violent coughing, and brain fog. This also accounts for the delay in getting the final batch of show reports out to you. Apologies!
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High End By Oz, Lansche, Thrax, Hifistay, Rotel, S.I.N. Audio, Albedo

A real drum kit at the Florida expo? Standing in the second-floor hallway, I could've sworn I heard just that. Five seconds later, reality set in when Dave Brubeck's famous piano chords joined Joe Morello's 5/4 jazz groove. It was the recorded sound of Morello's drums on "Take Five" that had emanated from the Embassy Suites' Kennedy Room, where High End by Oz, a Connecticut distributor, was demoing its wares. (I sincerely love it when my brain gets tricked like that.
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Antal Audio, Triangle, Electrocompaniet, Wireworld

"There's a party going on in Room 713, and only true freaks are invited!" That's the promise of a bawdy little book called Room 713, about four friends who travel to another city and indulge in outsized carnal pleasures.

No such titillation was to be had in room 713 of the Embassy Suites in Tampa, but other delights abounded. To wit: a pair of Triangle Magellan Quatuor 40th-anniversary speakers ($20,000/pair), plus three Electrocompaniet components: the new AW 800M NEMO 2 monoblock used as a stereo amplifier (800W in mono, 300Wpc in stereo, $22,500), the EC 4.8 MkII preamp ($4900), and an ECM 1 MkII streamer ($5700). Wireworld took care of the cabling.

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Alta Audio Adam loudspeaker

Last year, on the hunt for high-quality espresso beans, I visited some specialty coffee websites. On one forum, I came across this description of a particular roast: "I tasted mild acidity and bitters with hazelnut, bourbon, and a hint of dark cherry. As it began to cool, there was a hint of black raspberry syrup or cordial. Then a dominant note emerged of nuts with mild distillates, walnut bitters, cacao nib and something between 82% dark chocolate and baker's chocolate. ... Further cooling offered the surprise of dark piecrust and a bitter cherry liqueur. The piecrust then rounded to a slightly sweet dark rye. There was a lingering aftertaste of single malt scotch that eventually faded to baker's chocolate with a hint of ashiness."

I had enough self-awareness to realize that in the hi-fi world we sometimes prattle on about hi-fi in ways that, to outsiders at least, must seem just as fustian and florid.

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Luxman PD-151 MARK II Record Player

Luxman occupies an unusual place in the hi-fi world. While many of the brands chasing ultimate performance will battle it out in the bleeding-edge design stakes, Luxman makes what I like to call luxury equipment. Everything they produce is beautiful, not just to the ear, but also to the eye and hand. Their design aesthetic keeps one foot firmly planted in the style of classic audio equipment from decades past—for example, many of their amplifiers have tone controls and big power meters, features reminiscent of topflight gear from 40 years ago—while the other foot is up to date with the latest technology...

The PD-151 MkII record player ($5695) is an excellent example.

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Gramophone Dreams #70: Sutherland Engineering SUTZ & Lounge Audio Copla headamps, Dynavector DV-20X2 & XX-2 MKII phono cartridges

As an upstart journalist-flâneur, my basic urge is to step on the gas and let my '54 Buick careen down the freeway, crashing into guardrails on both sides. Old Buicks were built for that, and I would love to take readers on one of those kinds of rides.

But when I write this monthly column, I find myself aiming for a different feel, more like driving cross-country in a '70s Ford station wagon, documenting motels and gas stations. A trip where it's fun to roll easy, take in the views, and stop at every car museum, snake farm, and stalactite cave.

This month, I'm going to put some miles on the Ford's odometer as I investigate the effects of Ron Sutherland's newest current-drive creation: a $3800 transimpedance moving coil headamp called the SUTZ. Along the way, I will also re-review Dynavector's $1250 DV-20X2 moving coil cartridge and examine what might be the sweetest spot in Dynavector's cartridge lineup: the $2150 XX-2 MKII.

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Re-Tales #30: Just Keep on Usin' Me

Those of us who aren't wealthy must often sell something before we can buy a new piece of hi-fi gear, and it's usually another piece of hi-fi gear. Selling in order to buy makes a great deal of sense because, after all, you only need one of everything (or two in the case of speakers) at a time in a two-channel system.

Another secondary-marketplace incentive: As I pointed out a couple of Re-Tales columns ago, the higher prices rise on new equipment, the more appealing pre-owned gear becomes.

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Aretai, Convergent Audio, Aurender, ViaBlue

In Tampa, Latvian brand Aretai made another very good impression with its 100S speaker, a 2.5-way standmount in a sealed box ($9000/pair). Visually this speaker was among the more arresting offerings at the Florida expo: a neodymium-magnet tweeter in a handsome white horn sits atop a 16"-tall, matte-black enclosure. (The 100S is also available in piano gloss and various wood veneers.) Each speaker has two 6" drivers that deliver bass down to about 32Hz.
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PAD Hifi, TAD speakers and electronics, Synergistic, Jocavi

Although TAD is a Japanese brand, there's something dry, almost German about the name, which stands for Technical Audio Devices. It's comparable, in my book, to T+A, one of Germany's leading high-end companies, whose initials mean Theorie + Anwendung—that's Theory + Application. I like this just-the-facts approach, as long as the products leave room for emotion . . . maybe even a spot of sorcery. On that score, no worries about either brand.

After a years-long absence, TAD is back on the US market, represented by Dave Malekpour of Massachusetts' PAD Hifi Distribution (PAD stands for Professional Audio Design. Were these two made for each other or what?)

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