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Audio show exhibitors have a lot of obstacles to contend with: equipment not showing up or showing up damaged, problem with room acoustics, problems with the electrical supply, equipment malfunctioning just as the show starts, and countless others. Ian Grant of Grant Fidelity told me that when he first set up his turntable front end it was picking up the signal from a local radio station! Being an ingenious engineering-type, he located the source of the interference (he could see the station's antenna from the hotel window), and got some building insulation material that had aluminum foil as part of its construction, and taped it to the hotel window. Voilà! Problem solved!

In addition to ingenuity in dealing with setup problems, Grant Audio had another claim to show exhibitor fame: their sign said "Nothing Over $2500," In fact, most of their products—some designed by Ian Grant in Canada but made in China, and others of Chinese design as well as manufacture—were well under $2500. One of the more expensive items was the W30GT: tube-based integrated amplifier designed by Ian Grant that includes a phono stage and a DAC. It's $1950.

The mystery of the Sanyo JCX 2600K stereo receiver that I wrote about in an earlier blog posting is solved. I went back to the booth of <I>Aux 33 Tours</I>, a Montreal store that sells used new CDs and LPs, and there it was, combined with a Revolver turntable. <I>Aux 33 Tours</I>' Christian Provost told me that they bought the Sanyo receiver from a widow whose husband had been a music lover/audiophile. In addition to a record collection&#151;which they bought&#151;he had two of these receivers, one that he had used on a regular basis, and the other that he kept as a spare, in case the first one broke down. It was still in the box, sealed in plastic. That's the unit that was at the show. No wonder it looked to be in good shape! The picture shows Christian Provost playing&#151;what else?&#151;a record.

Place Bonaventure is located about halfway between St. Catherine street (which I think of as the center of downtown) and Old Montreal, near the river. As such, it's nearly in the shadow of St. Patrick's Basilica. I went for a walk Friday morning before the show started, but my walk was not as long as I had planned: the temperature had taken a big dive overnight, and so it was very...shall we say...bracing. But at least it didn't snow, as in previous SSIs.

As <a href="http://blog.stereophile.com/ssi2010/totem_poll/">Art mentioned</a>, Totem always does an outstanding job of transforming a simple room into <i>an environment</i>, and at SSI 2010, they surpassed all of their previous efforts. Here’s a look at a row of Totem Tribe on-walls, dressed in new skins. As loudspeakers are often viewed as the most personal component of any system, it makes fine sense to offer the option of truly personalizing them with art. I can imagine buyers selecting fabrics that match their furnishings, or using their favorite artwork, or even creating their own designs.

The arrangement of Totem's new Tribe 5 wall-mounted speaker in on of their rooms at SSI raised my eyebrows. I asked Totem's main man Vince Bruzzese what gives? "We must reach out to non-audiophiles!" he said, adding that this was one of the impetuses behind the launch of the "skins" that Art Dudley wrote about above. "By arranging these speakers in an unconventional manner but showing that they can still play music, we reduce the fear non-audiophiles have." (My apologies if my paraphrase didn't capture the passion with which Vince spoke.) But the Trentemoller track I listened to, played on Chord CD transport, DAC, and amplifier, didn't sound any the worse for the unusual speaker setup.

“If you don’t mind, ladies and gentleman, I’m going to play you something you don’t ordinarily hear at an audiophile show,” states On A Higher Note’s Philip O’Hanlon, as he moves across the floor and inserts a disc into the lovely Luxman D-06 SACD/CD player ($8500).