LATEST ADDITIONS

Saturday, February 11, 11am–4pm: Audio High (165 Moffett Boulevard, Mountain View, CA) will host a vinyl sale to benefit the Friends of Palo Alto Library. Hundreds of vinyl LPs ranging from rock to jazz to classical to “just plain weird” will be available, with prices starting at $2.00. An original pressing of Miles Davis’s Kind of Blue will be offered.

Saturday, March 17, 1–6pm: Fidelis AV (14 E. Broadway, Derry, New Hampshire) will host an open house to introduce loudspeakers from Stenheim and Zellaton and turntables Holborne. Gideon Schwartz of Audioarts, US importer for the brands, and Walter Swanbon of Fidelis AV will be on hand to answer questions. Refreshments will be served. For more info, e-mail info@fidelisav.com or call (603) 437-4769.

Sunday, March 11, Time TBA: Classic Album Sundays, Colleen Murphy’s popular UK event, makes its US debut at the new Bellwether venue (594 Union Avenue, Williamsburg, Brooklyn).

With Classic Album Sundays, Colleen “Cosmo” Murphy shares her passions for great music and high-quality sound, inviting guests to listen to an entire record, from beginning to end, on vinyl.

Friday, February 17, 5–9pm: David Michael Audio (4341 Delemere Court, Royal Oak, MI) will host an Evening of Turntables and Vinyl featuring outstanding new pressings from ORG. In addition, all ORG releases will be available for purchase. Space is limited. For more info, e-mail info@davidmichaelaudio.com, call (586) 244-8479, or visit David Michael Audio.

Jeff Joseph of Joseph Audio introduced me to this beautiful cassette deck; I spotted the pic at BeoPhile.com.

Back in the late 1980s, it seemed a good idea: Separate a CD player's transport section from its D/A circuitry so that each could be optimally designed, and, as D/A technology improved, the sound of your CD player could be upgraded by replacing the outboard D/A processor. The catch was that the transport and D/A chassis needed to be connected with a serial data link: S/PDIF in optical or electrical flavors, or balanced AES/EBU. To minimize the number of cables required, the format of that link embedded the clock data within the audio data, which rendered the link sensitive to interface timing uncertainty, or jitter. (See "Bits Is Bits?," by Malcolm Hawksford and Chris Dunn.)

Gross is about to play an excerpt from a recording of John Rutter's Requiem. It's a piece that challenges just about every aspect of sound reproduction: there's an orchestra, a soprano soloist, a chorus, a pipe organ, and the acoustics of a large concert hall. Wimpy speakers need not apply. I listen, expecting to be underwhelmed.

Whoa! The low bass of the organ so fills the room that I look for subwoofers in the corners. The orchestra and chorus have great presence. There's a believable sense of space. These are some speakers! How much?