LATEST ADDITIONS

If there's an audio company that has it all, it's Jade Design, parent of Emotiva, Emotiva Pro, and Sherbourn. Before my visit to the company headquarters, in Franklin, Tennessee, I had invariably seen in the company's founder, Dan Laufman, a special kind of contentment, an ease, a happiness. Or was he merely arrogant? I couldn't be sure.

Our sweepstakes for the Benchmark DAC2 HGC Digital-to-Analog Converter was one of our most popular contests yet receiving a total of 685 entries! You’re telling me that 637 more people wanted Benchmark’s new DAC than were begging for the Fela Kuti LP boxset? Stereophile.com members, your priorities are skewed.

Growing up as an audiophile in the 1950s, I always aspired to owning Marantz equipment, and finally attained that status when, late one night in 1974 in Greenwich Village, a friend found a Model 8 amp sitting on a pile of discards on a curb. He quickly ran for his car, and scarfed up the amp and a pair of Acoustic Research AR1 speakers. All turned out to be in perfect working order, though their appearance reflected their history of ill-use. The speakers went into his machine shop—but I got the Model 8! Few products have ever given me so much pleasure and pride; Marantz will always occupy a warm spot in my heart.

On February 1st, Stereophile posted the Audience aR2p Adept Response Power Conditioner Sweepstakes that yielded a total of 213 entries. There was only one lucky winner. Here Stereophile.com member rlabarre shares his thoughts on his fortuitous prize.

Visitors to Montreal's annual Salon Son et Image (SSI) high performance audio show will notice some changes when the three-day event opens to the public on Friday March 22 in its customary location, Hotel Hilton Bonaventure. For starters, instead of the approximately 100 exhibit rooms encountered in 2011, and the approximately 85 last year, visitors will discover 70, including two dedicated to home theater, as well as 370 brands.

Today’s payday. These are the albums I bought.

When Steve Davis told me that people were hungry for an audio show in Chicago, he wasn’t kidding. What Davis believes to be over 4000 attendees—2000 tickets had been sold before the Show opened—visited over the course of three days, March 8–10. They mobbed many of the rooms on Saturday and actually managing to keep things lively in most of the rooms I visited on the 8th floor on Sunday. And that was with people having to choose among 90 exhibit rooms, a bunch of table displays, an art show, multiple seminars, and lively marketplace that together extended over five floors of the Doubletree in Rosemont (Ground, mezzanine, and all of floors 7, 8, and 9) near O’Hare Airport. (My thanks to John Atkinson for standing outside in the pouring rain to get the photograph of the hotel.)

I don’t know what the sound was like at Chicago’s last consumer audio show, sponsored by Stereophile, which took place in the Palmer House Hilton in the Loop in 1999, but at the Doubletree, a large number of dealers and manufacturers managed to produce good to excellent sound within the confines of hotel rooms that they had never before exhibited in.