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Revinylization #64: k.d. lang's All-Analog Ingénue

Kathryn Dawn Lang was country ... until she wasn't. A native of the Canadian province of Alberta, lang (who prefers her name lowercase) grew obsessed with Patsy Cline and country music in general before she was out of college. She joined the Patsy-focused country act The Reclines in 1983 in Edmonton. They released their first album, A Truly Western Experience, in 1984.

Styled as "cowpunk" by many, the album caught the ear of pub-rocker Dave Edmunds, who produced the band's next, rockier album, Angel with a Lariat. That album, in turn, found its way to Patsy Cline's one-time producer Owen Bradley, who in 1988 produced lang's solo debut, Shadowland, on Sire Records. Shadowland and the Reclines' final album, 1989's Absolute Torch and Twang, convinced lang that she was too adventurous—not to mention too gay and Canadian—for the 1980s country music establishment.

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Børresen M2s: Highs Without a Ceiling

At an early-morning breakfast, Michael Børresen, co-founder and chief designer of Audio Group Denmark, unveiled the Børresen M2 loudspeakers ($190,000/pair) and their companion Bass Modules (price to be announced). Also shown for the first time in North America was the Aavik R-880 phono preamplifier ($70,000), designed to work with DS Audio optical cartridges. The R-880 enables users to adjust high cut, low cut, and absolute phase on the fly.
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AXPONA Prepares to Open

The largest and most important audio show in the United States, AXPONA, is poised to open in the greater Chicago area’s sprawling Schaumburg Renaissance Hotel & Convention Center. Well before the three-day show opens on Friday, April 11 at 10am, you can expect scores of eager attendees lining up at the long registration desk in the Convention Center lobby.
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Technics SC-CX700 active loudspeaker system

The usual Specifications sidebar in this review is a nuts-and-bolts listing of the electrical and physical properties of the Technics SC-CX700 loudspeaker ($2999.99/pair), who made it and where, and a widely varying amount of information about its electrical and acoustical performance. The information comes from the included literature, available downloads, and whatever I could find on the manufacturer's website.

Note the complete absence of the usual technical information about the design or construction of the coaxial driver or about the crossover frequency and slope. Missing, too, are performance specifications for frequency response, sound-pressure level, and distortion. That disappoints me because I like numbers, but all the really interesting stuff about these speakers—though expressed without as many numbers as I'd wish—can be found on the Technics website. These include: what Technics calls "Acoustic Solitude Construction," which isolates the electronics from the loudspeakers structurally and spatially; "Model Based Diaphragm Control," which adjusts diaphragm movement in real time; and "Space Tune," which includes four acoustical presets and two levels of measurement-based room correction.

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