Graham Nash's Second Stop: dCS/Wilson Audio/Dan D'Agostino Suite at the Mirage
We were clearly off to a good start, so I was wondering what Graham Nash's reaction would be to an all out audiophile assault.
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I explained to Nash that the Vivid speakers and Luxman system we just heard were relatively compact, by audiophile standards (though by no means modest), and that the next room would be more typical of the cost-no-object approach. Judged by Graham's "impact of the music" criteria, would bigger necessarily be better, or might it detract from the musical intent he was looking for?