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LATEST ADDITIONS

Chord Electronics Mojo D/A headphone amplifier

Like all men, I learned at an early age to resist the allure of a pretty face.

Okay—I learned that I should try to resist the allure of a pretty face.

Okay, I confess: I have never been able to resist the allure of a pretty face. Which is why, when I first clapped eyes on the Mojo D/A headphone amplifier from English company Chord Electronics, at an event hosted by Manhattan retailer Stereo Exchange, I had to borrow a sample for review.

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Letter From Japan

How many advertisements for hi-fi or head-fi hardware do you see on your morning commute? Two? Three? If you live in Los Angeles, Sydney, or Paris, most likely it'll be zero.

Not so in Tokyo, where commuters, tourists, and shoppers moving through the Shinjuku or Shibuya subway stations will find it almost impossible to ignore Sony's latest advertising campaign, which colorfully announces a new range of affordable portable audio players (né Walkmans). Inside, banners suspended from the cars' ceilings promote Panasonic's latest headphones and shoebox-sized stereo system. Many of the bigger Japanese manufacturers treat audio gear as a mainstream concern.

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NHT Model 1.3 loudspeaker

Now Hear This (NHT) was founded to produce low-cost loudspeakers a breed apart from the mass-market variety often found at the lower price points. Co-founder Ken Kantor has a long history in the hi-fi business as a designer at Acoustic Research, NAD, and as a design consultant to some large Japanese manufacturers. NHT's line ranges from the $180/pair Model Zero to the $1200 Model 100.

At $480/pair, the Model 1.3 is midway in NHT's product line. Finished in a gloss-black high-pressure laminate, the 1.3 is elegant, even beautiful, and is distinguished by its unusual angled front baffle. This design means that the rear baffle is nonparallel to the driver, thus reducing the amount of internal cabinet energy reflected back toward the woofer. This is said to improve imaging and midrange purity by reducing comb filtering. In addition, the angled baffle puts the listener directly on-axis with the loudspeakers pointing straight ahead. This increases the ratio of direct-to-reflected sound reaching the listener and further improves imaging.

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VTL/Wilson/Transparent at Innovative Audio: Selling “Happy”

Photo: Jim Austin

"'Happy' is our primary product," Elliot Fishkin, the proprietor of Innovative Audio, which is entering its 45th year of business, told visitors early Thursday evening, January 21. "We want you to be able to be connected to the music in profound ways." A small crowd was gathered in the lobby outside Innovative's newly renovated showrooms, in an expansive underground space on the east side of Manhattan, to hear amplifiers by VTL, cables by Transparent, and loudspeakers by Wilson Audio.

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Stereophile's Products of 1992

"You're only as good as your most recent gig," was literally drummed into me in my pro musician days; I've found it to be just as true in magazine publishing. No matter how much hard work went into, say, an equipment review, a couple of months down the line that review will be as fresh as yesterday's undunked donut. And no matter how good-sounding the product, or how much it excited the writer, it will always tend to be overshadowed by the latest and greatest products written about in the new issue—the "moving finger, having writ..." syndrome.
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Stereophile Special Issue: 10 Years of Records to Die For

Available on newsstands and the Stereophile online Shop this week is a special 148-page "Collector's Edition" of Stereophile, in which we have compiled all of the reviews comprising the past 10 years' worth of R2D4—some 500 albums selected by 46 writers, organized by musical genre and listed alphabetically. Along with six short essays on recorded music by the magazine's music editor, Robert Baird, there are: 48 pages of Rock reviews, 20 pages of Jazz reviews, 15 pages of Opera & Vocal reviews, 14 pages of Classical Orchestral & Film Score reviews, 9 pages of Chamber Music & Instrumental reviews, and 10 pages of Folk, Blues & World Music reviews.
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Miles on MoFi (45rpm)

Mobile Fidelity's two-LP, 45rpm reissue of Miles Davis' Kind of Blue is one of the most eagerly awaited audiophile jazz reissues, which may seem strange given how many reissues already exist. Yet the 1959 album is that rare thing in any art form: an accessible, popular work (it's the best-selling jazz album of all time and continues to sell thousands of copies a year) and also an artistic breakthrough (marking a shift from harmonies based on chord changes at set intervals to those loosely patterned on scales). And Columbia's original six-eyes stereo pressing, miked by Fred Plaut, stands as one of the greatest-sounding studio jazz albums too.
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