Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Onkyo Is Alive and Well (Case in Point: Its New Icon Series)

Guess who's back from the brink of existence? It's Onkyo, the storied Japanese audio brand that filed for bankruptcy in 2022. Like Mark Twain's rumored demise, reports of its death were greatly exaggerated. In Munich, Akihisa "Alec" Watanabe, project leader at Onkyo Technology, and Dave Gans, VP of Marketing & eCommerce at Premium Audio Company (Onkyo's U.S. distributor, which also handles Klipsch) convinced doubters that the brand is alive and well.
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Glory and Hallelujah: My Time at Kondo Audio Note

My last stop of the show was a real highlight. The only Kondo Audio Note equipment I'd heard up till then was at a friend's home in New York City. His setup included a Kondo Ongaku integrated amplifier, a Kondo KSL-SFz SUT (step-up transformer), Kondo silver interconnects (KSL-LPz and Ls-41), and Kondo KSL-SPz silver speaker cables. The sound was consistently beautiful, very natural, with a touch of romanticism.
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Charles Tolliver and Strata-East

The why behind most artist-owned labels tends to be a thicket of motivations. They have more adventurous tastes. They are more artist friendly. They are anxious to be the ones in charge of the money for a change. For jazz trumpeter Charles Tolliver, co-founder of the record label Strata-East, the motivation was a combination of all these factors and more.

During a break in the hectic schedule that preceded the April 2025 release of 32 reissues from the famed Strata-East catalog—including the work of Charlie Rouse, Pharoah Sanders, and Cecil McBee—I caught up with Tolliver and his son Ched, who's now in charge of the label's rebirth.

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Revinylization #65: Six Doors Albums on All-Analog LPs from Rhino

For Warner Music Group, the Doors have been a deep vein of music gold. Their albums have never been out of print, and the catalog has enjoyed regular reissues for decades. Each new version of the Doors' first six albums sells well enough to prompt another trip to the vaults.

The latest moonlight drive down love street is a series of all-analog LPs from Rhino High Fidelity (RHF). A limited-edition numbered box set version sold out in days; un-numbered single LPs will sell until the production parts wear out. Cut by Kevin Gray at Cohearant Mastering using his Studer A-80 tape machine and Neumann VMS-66 lathe with Technics quartz-drive motor, they were plated and pressed at Optimal in Germany and are housed in the heavy-cardboard gatefold jackets used throughout the RHF series.

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Aequo's Ensium Speaker: Three Drivers, Two Halves, One Hell of a Debut

Impressively full-range sound was the hallmark of a fine system dominated by Aequo Audio's new three-driver Ensium speakers with active, room-corrected bass ($44,900/pair, or approx. $40,000/pair in the passive version). Connected by AudioQuest cabling (approx. $100,000), with Aequo's own Ferroguard power cables ($4100) for the woofers, the Dutch company's speakers absolutely sang. As I discovered from playing musical chairs, the sound was at its best in the front row; there, on Yello's "Till Tomorrow," colors were the most saturated and involving.
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