There's an old Russian folktale about a farmer who goes to a fair. He buys a bread roll from a vendor. He eats it, but he's still hungry. So he buys and eats another roll, and then another. Still hungry. Next, he buys a donut from a different vendor. At last, he's no longer hungry. The farmer then says to himself, "I wasted the money I spent on the rolls—I should have just bought the donut first!"
I now own it on vinyl, too, of course, but four years ago, John Atkinson presented me with the SACD/CD dual-disc. It quickly <a href=" http://blog.stereophile.com/stephenmejias/101105kindofblue/ ">cured my headaches</a> and has remained one of my very favorite albums. Listening to it at least once a month keeps my mind and body healthy.
On August 17, 1959—50 years ago exactly—Columbia Records released Miles Davis’ <I>Kind of Blue</I>, which became not only the best-selling jazz album of all time but also one of the <I>best</I> jazz albums, period, the spearhead of the “modal” revolution.
Rich from Chicago wants to know about our readers' generosity: What's the best system that you've ever <I>given</I> away or sold dirt-cheap to a friend?
This whole thing started up again when I tried to improve the phono-input section of my main system—not to enhance its performance (although you might expect that to happen), but to provide a fairer, more flexible context for evaluating new cartridges.
With the <A HREF="http://www.stereophile.com/mediaservers/ta_music_player_media_streamer"… Player</A>, T+A also sent along the Power Plant integrated amplifier ($2700). The Power Plant (PP) looks almost identical to the MP, and the two comprise a handsome, fully functional audio system in a single modest stack. To make this even easier, you connect the two at their rear panels with a supplied RJ-12 cable (T+A calls this the E Link), which coordinates their functions and allows the MP and PP to be operated with a single remote control.
One of my favorite Charles Rodrigues cartoons, originally published in <I>Stereo Review</I> and reprinted in the book <I>Total Harmonic Distortion</I> (Perfectbound Press, 1988), shows a customer in the soundroom of an audio dealer, auditioning a pair of speakers. This is no ordinary soundroom: the floor, walls, and ceiling are completely covered with irregularly shaped boxes, apparently an extreme form of acoustical treatment. The salesman is saying, "Of course, you realize that it won't sound exactly the same in your living room, sir..."
<B>Danger Mouse and Sparklehorse: <I>Dark Night of the Soul</I></B><BR>
With: Frank Black, Julian Casablancas, Vic Chesnutt, Wayne Coyne, Flaming Lips, David Lynch, Jason Lytle, James Mercer, Iggy Pop, Gruff Rhys, Suzanne Vega.<BR>
CD/download. 2009. Danger Mouse, Sparklehorse, prods., engs. AAD? TT: 43:16<BR>
Performance ****<BR>
Sonics ****
Web Monkey, Jon Iverson, has informed me that today is the 40th birthday of the Woodstock Music and Art Fair, held at Max Yasgur's dairy farm in Bethel, New York. I really don't know much at all about Woodstock. I haven't read any of the books or watched any of the movies. I know that Richie Havens opened (and played and played until he couldn't play anymore), but I've only just recently acquired that bit of knowledge. I know that Jimi Hendrix tore through an angry version of the "Star-Spangled Banner." I know that Janis Joplin was there. I've seen that funny video of Joe Cocker singing "With A Little Help from My Friends." And I've heard that many of the performances absolutely <i>sucked</i>.