LATEST ADDITIONS

Servers, servers, servers. How we who embrace digital hi-fi love them for their potential to make files and streams sound better (more alive, vital, streams sound better (more alive, vital, musical, moving, transparent) than music served from a computer. How we curse them when we experience the limitations of their software. How we despair when, shortly after ascending to Peak Digital Mastery, we download a software update that hurls us back into the Valley of Digital Unknowns.

I've climbed then slid down multiple hi-fi peaks as I've moved from computer to a Roon-equipped NUC, Roon Nucleus+, and Innuos Statement Next-Gen music servers. Along the way I've reviewed the original Innuos Statement from Portugal and the Antipodes Audio K50 from New Zealand. Now I'm exploring Antipodes's top-of-the-line server/streamer/reclocker, the Oladra ($25,000), which is designed for precise clocking, low noise, and high bandwidth.

Over a lifetime of involvement in audio, I have had standmount speakers—bookshelf speakers, as they were called back then—only twice. My very first loudspeaker was a vinyl-wrapped fiberboard bookshelf box with no name. It lasted barely a year and was replaced with a two-way system I built with a 12" RCA woofer in a floorstanding bass-reflex cabinet. My second bookshelf system was a Weathers "Book" speaker lashed up to a University dual-voice-coil woofer. I was determined to try that new thing, stereo.

Since then, I've had only floorstanders, home-made and manufactured, and I never seriously considered owning small speakers again except, perhaps, as part of a surround sound system. With that bias, why am I reviewing the B&W 705 S3?

At AXPONA 2023, I saw teenage besties cruising rooms together. I saw fashion-conscious 20-somethings listening in sweet spots, and young parents with younger children. Yeah, there were a few gray boomers like me, but only a couple were wearing Hawaiian shirts. AXPONA 2023 vibed like a tribal conference at a sacred pilgrimage site, and I've never enjoyed an audio show this much before.

Dave Lombardo: Rites of Percussion
Ipecac IPC-265 (Auditioned as LP). 2023. Lombardo, prod.; Lombardo, David A. Lombardo, John Golden, engs.
Performance ****½
Sonics ****½

As one of the first US audio shows to reopen as the pandemic seemed to be winding down, T.H.E. Show's attendance figures had no way to go but up. Thanks to some good PR and the excellent choice of a new venue, The Hilton Costa Mesa in Southern California's Orange is the New Red County, attendance exceeded expectations. Saturday, for example, was so packed that I couldn't get into a number of rooms on floors 2 and 3.

No sooner had I finished listening in the Audiophile Zone room than ATC's Leland Leard corralled me into the AGD room. There, Alberto Guerra, AGD President and CEO, introduced me to his AGD/Ocean Way system and discussed the rationale behind his "tube" GaN MOSFET class-D amplifiers.

The best sound I have ever heard from an ATC loudspeaker poured forth in the room commandeered by Audiophile Zone of Los Osos, CA. On a 24/192 file of the Engegärd Quartet performing Haydn, every timbre sounded spot and believable. Switching gears to DSD64, highs were excellent and depth convincing on Frank Sinatra's "When You're Smiling." And, on 24/96 tracks from Spirit Hiromi, I was blown away by the excellent bass, believable piano timbres, and musicality of the presentation. If I could have stayed longer, I would have.