LATEST ADDITIONS

I missed the chance to send off an R.I.P. to the jazz pianist Paul Bley, who died on January 3, at the age of 83, so I'm catching up with this advance notice of a free memorial concert to be held this Thursday night, February 11, featuring piano solos by seven of his acolytes—most notably Ethan Iverson and Frank Kimbrough, whom I've lauded on this page many times.

In 1974, Paul McGowan and Stan Warren founded the company to produce and market a standalone phono preamplifier, sold directly to consumers for $59.95. From there they naturally progressed to a series of line-level preamplifiers. Toward the end of the '70s, PS Audio produced the Model One, the company's first power amplifier. In the mid-1980s came the high-performance, moderately priced ($495) 4.5 and 4.6 preamplifiers. I reviewed—and bought—a 4.6 a few years after I began reviewing gear for The Abso!ute Sound; Tom Norton reviewed the 4.6 for the September 1988 issue of Stereophile.

Over the years, I've felt obligated to ask this question of several friends who somehow concluded that their life's work involved founding a record label.

"That is the best question isn't it?" Shane Buettner said with a big laugh. "Why do I want to hurt myself this badly and spend a lot of money doing it?" He smiled again, with a mild shake of the head.

"Actually, yes—that's exactly what I mean."

I'm not a shy guy. If I don't like a headphone, I'll pull it off my ears within five minutes! So far, I've had the Astell & Kearn AK T1p on for over 40 minutes and I keep wanting to check them out—so there must be something about them that's keeping me listening.