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As I think I wrote somewhere, it's one thing to hear equipment at a show, another thing to hear it at home. I meant to imply that, of course, at home is the only way to truly hear a piece, in your reference system.

But at AXPONA, where George Counnas (center) and Carolyn Counnas (right) debuted their new Zesto Audio Eros 500 Select KT-150 equipped, class-A monoblocks, with Zesto Audio's Leto Ultra II preamp, which I reviewed in January 2021, I was flummoxed at the beauty of sound, extravagance of liquidity and detail, and nearly spiritual physicality the system endowed to a variety of music.

If you're like me and the topic turns to active speakers, you'll probably think of affordable products. Maybe the mighty $649 Vanatoo Transparent One Encore comes to mind, or the sub-$1000 powerhouse that is a pair of SVS Prime Pro wireless speakers. The KEF LS50W is a strong contender even at $2800, and if your budget allows, you might consider Buchardt A5s ($3900/pair).

Two months ago, at the audio expo in Tampa, I stumbled upon a pair of most intriguing French speakers. The $8000/pair Diptyque 107 is a medium-sized planar magnetic whose designers, Gilles Douziech and Eric Poix, make no secret of their love for Magnepan. All the same, the duo has sought to improve on that company's famed panel technology, mostly by addressing a perennial shortcoming of such dipoles: their lack of deep bass.

I wasn't necessarily expecting to find Alon Wolf (right) striking dangling bars of aluminum with a small mallet. Had Magico's celebrated designer embarked on a second career as a percussionist? Nah. He was demonstrating to Stereophile Editor Jim Austin (left) and myself that aluminum, which Magico has long used as the ideal material for its enclosures, rings, but can also be very effectively dampened by sandwiching a proprietary elastomer between two layers of it. The first (untreated) bar rang like a bell. The second one had a padded adhesive backing that took away about 80% of the effect. The last bar was the aforementioned sandwich, and yup: dead. No ringing.

As audiophiles, we strive almost obsessively for a low noise floor and no distractions, only to be spectacularly thwarted when we evaluate equipment in a retail or show environment. Around us, people are entering and exiting, and often talking up a storm. The air conditioner is set to a low drone. Bass notes leak in from the next room over. AXPONA's cavernous Ear Gear space, where more than two dozen manufacturers of headphones and related equipment were demonstrating their wares, was awash with buzzing, excited people—the best kind of noise, really, even if you have to turn the demo cans way up to block it.

I had come to pay RAAL-requisite a visit, hoping to audition a first for me: a recently-launched ribbon headphone called the CA-1a.

Jay Rein (right) and Chad Stelly (left) of Bluebird Music Limited presented multiple debuts and US firsts at AXPONA, including a chance to meet SME CEO Stuart McNeilis (center), on hand for the first American spin of his newish SME Model 60 turntable ($71,900; Stereophile review by Michael Trei forthcoming).

Cambridge Audio CEO Stuart George arrived at AXPONA for the debut of the Cambridge Audio MXN10 streamer ($499). The faithful British brand's two hotel rooms were fairly jumping with interested "punters," I think that's a malleable Brit term one could use to describe audiophiles eager to hear more of this legacy brand that has for decades offered incredible value.