LATEST ADDITIONS
What If Digital Had Never Happened?
There's no going back, but what if, in 1983, the Compact Disc had bombed? What if music lovers worldwide had rejected the shiny new digital format because they thought LPs sounded so much better? And what if later attempts at digital formats with higher resolutions also shriveled and died, due to lack of interest by recording engineers and consumers? What if, to this day, music had remained blissfully all-analog?
Recording of October 2017: Never the Same Way Once: Live at the Boarding House May 1974
Owsley Stanley Foundation (7 CDs). 2017. Hawk, exec prod.; Starfinder Stanley, Jeffrey Norman, Pete Bell, project coordinators; Owsley Stanley, orig. eng.; Jeffrey Norman, CD mastering, tape archivist; John Chester, Jaime Howarth, digital transfers. ADD? TT: 5:33:17
Performance *****
Sonics *****
The late Owsley "Bear" Stanley spent his life raising consciousness. Whether it was mixing up jars of LSD, building his famous Wall of Sound PA system for the Grateful Dead, or supervising the creation of an incredible library of live recordings, Bear Stanley was after a certain purity, a higher level of quality, epiphanies.
The October Issue . . . and "Recommended Components"
The Doctor Is In!
Schmidt's Symphonic Splendor in Hi-Rez
Matthew Sweet
Jabra Move Sealed Bluetooth On Ear Headphones
Over time Jabra has moved from little Bluetooth dongles that dangle from one ear to sports headsets and is now entering the wider headphone world with straight-up headphone headsets. Or is it that the headphone world is moving towards phone headsets? It's hard to tell...welcome to convergence.
Thiel CS1 loudspeaker
Kentucky manufacturer Thiel has acquired a reputation for the coherence of sound presented by its range of distinctive, sloping-baffle, floor-standing loudspeakers. Designer Jim Thiel gives a high priority to linearity of phase response; as a result, he chooses to use phase-linear, first-order crossovers in his designs, the target response being the combination of electrical and mechanical filtering. As the out-of-band rejection is then only 6dB/octave, it places demands on his chosen drive-units to be well-behaved, not only in their passbands, but also outside of them. In effect, the loudspeaker has to be designed as a whole system, the interaction between the drive-units and crossover being considerable.