Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Sponsored: Pulsar 121
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

The Beatles in Mono According to Kevin

"But it is the wildest, most incredible music story of all time and I'm at least mildly flattered that I played a miniscule part in it.

I'm even more pleased that it's all behind me."

—Dave Dexter Jr. From his autobiography, Playback

It's almost too easy to make Dave Dexter Jr. the villain in the story of the Beatles' fumbled introduction to America. A devoted denigrator of rock'n'roll who thought it was a passing fad meant for the kiddies, and who also thought John Lennon played "lousy harmonica," he was just one of the many older music fans who were sure that Elvis Presley's hips had been a corrupting influence on America's youth, not to mention on good music.

The head of International A&R at Capitol Records, then owned by the UK's EMI, Dexter was no fan of British acts in general. He also turned down Manfred Mann, The Animals, The Yardbirds, and The Hollies.

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Rabbit Holes #15: King Oliver's (and Louis Armstrong's) Centennial

Although King Oliver's Creole Jazz Band was indubitably led by Joe Oliver himself, this deluxe box set, marking the centennial of the band's recorded debut, focuses on its second cornetist, Louis Armstrong, who was making his own debut. These landmark jazz recordings, nearly the first by a black band from New Orleans, had a profound impact on the jazz that came afterward. They were recorded acoustically, without the use of electricity, and previous reissues have suffered from terminal murk, to the point that individual horn lines could hardly be discerned. Richard Martin and the Archeophone label have done an outstanding job of restoration, rendering the instrumental parts with remarkable clarity.
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MoFi Electronics SourcePoint 888 loudspeaker

A recent high point in my career as a reviewer was writing about the MoFi Electronics SourcePoint 10 standmount loudspeaker for the February 2023 issue of Stereophile. Priced at $2999/pair, the two-way SourcePoint 10 featured an innovative 10" coaxial (HF/LF) drive unit and impressed me with its clean, superbly well-defined low frequencies, natural-sounding midrange, and the ability to play loudly without strain.

The SourcePoint 10 was the first MoFi speaker to be designed by Andrew Jones, whose earlier designs for KEF, Infinity, Pioneer, TAD, and ELAC had all taken up residence in Stereophile's Recommended Components listings over the years. The second of Andrew's designs for MoFi was the SourcePoint 8, which was favorably reviewed by Kalman Rubinson in September 2023. Priced at a competitive $1999/pair, the SourcePoint 8 also used a coaxial drive unit, but as the name suggests, the woofer diameter was 8" rather than 10". KR was also impressed by what he heard, writing that the SourcePoint 8 was a balanced, wide-range speaker that demonstrated how satisfying a small, relatively affordable loudspeaker can be.

Now we have Andrew Jones's third design for MoFi, the floorstanding SourcePoint 888, which costs $4999/pair.

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REL No.31 powered subwoofer

I have a love-hate relationship with subwoofers. They tend to bring out my tweaky alter ego. Perhaps one of these sorry personae lives within you too: the perennially neurotic Mr. Hyde to your more obliging Dr. Jekyll. Hyde is the tense, never-satisfied fault-sniffer who zeroes in on sonic details that are perhaps slightly off, even when other people in the room are enjoying themselves.

With subwoofers, he's at his worst. Did you hear that?, he'll exclaim when he worries that a low bass note received too much emphasis. He nags and niggles that perhaps the integration between the main speakers and the subwoofer leaves a crater somewhere in the low-frequency band. He harps, not always believably, that he can hear where the subwoofer is, even though deep bass is supposed to be impossible to localize. Most of all, he barely lasts a song without getting twitchy about the sub's gain setting, imagining that he has to dial in exactly the right amount of deep-bass presence with each track.

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Re-Tales #51: Big Kids Toys, Home is Where the Hi-Fi is

Photo by Julie Mullins

Hi-fi dealership Big Kids Toys, in Greensboro, North Carolina, is aptly named. Since its 2002 inception, fun has been at the center of its ethos. At the outset, company founder Michael Twomey established a mantra: "Life is short. Enjoy yourself." It might not be all that original, but it's apt.

In the third quarter of 2024, Big Kids Toys began expanding to the Midwest: The dealership's sales manager, North Carolina native Luke Sumerford (above), opened a home-based dealership in Fort Wright, Kentucky, about five miles from the Ohio River and Cincinnati, Ohio. That's a long way from Greensboro.

Sumerford, at 29, is part of hi-fi's youth movement. He hopes to instill—or reinforce, or bring back—musical enjoyment as the central pillar of the hi-fi hobby.

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