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My assignment at CES 2015 was to report on speakers costing less than $10,000/pair, so when I went into each room my first task was to see if they had any new (or at least new-to-me) speakers that met this criterion. I found one in the KEF room that appeared to fit the bill: the sign on the speaker identified it as the Reference 1, priced at $7500/pair. Johan Coorg of KEF explained to the assembled visitors how the design of this speaker utilized knowledge gained in designing the Blade.

Monitor Audio's Dean Hartley told me that he's been busy, revising the Gold Series (ranging in price from $2000/pair for the Gold 100 to $3500/pair for the Gold 300). He described the changes a "facelift rather than a complete revolution."

An enterprise founded by brothers Trevor and Todd Ryan (left to right), Ryan Speakers proudly proclaims that their loudspeakers are "handcrafted in California." Looking at the Ryan 630 ($5000/pair), I remarked on the presence of felt around the tweeter, a technique pioneered by the late John Dunlavy. "Oh, yes," said Todd Ryan, "felt around the tweeter, offset mounting drivers; we use all the old tricks."

Like many (most?) audiophiles, I've tended to turn up my nose at in-wall and on-wall loudspeakers. I normally assume that there must be major sonic compromises in designing speakers that fade into the background. I was then most pleasantly surprised by the sound of the Totem Tribe V ($6000/pair) at CES 2015. This is an on-wall speaker, but that sort of mounting is not possible in a hotel environment, so the speakers were stand-mounted, as close to the wall as possible. The sound was clean, open, and dynamic, with a firm bass foundation.

Epos and Creek have long been associated—Epos loudspeakers seemed to work particularly well with Creek electronics—but the connection became more solidified in 2014, when Mike Creek acquired total control of Epos and appointed his son, Luke, to be the Epos brand director. The first result of this change of ownership is the new Epos K-Series, which importer Roy Hall describes as being more "lifestyle-oriented."

While his multipurpose integrated amp lurked in the background, I took immediate notice of Dan D'Agostino's hulky 6U form-factor multichannel amplifier, the Cinema Standard. Available with two ($12,000) and three ($15,000) channels, it offers 250Wpc into 8ohms and doubles down to 500 into 4 and 1000 into 2, at 0.1% total harmonic distortion! Now that's dynamic headroom.

Manley Labs' Evanna Manley was deeply involved in discussion so I asked around about what new amps/preamps are showing. The answer was that, since there were no new products being introduced, they decided to present their current offerings to emphasize their aesthetics by having them framed and hung. Point taken. Picture taken.