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The return of a Living Stereo masterpiece...

Given that David Chesky has just followed the digital release of his Second and Third Piano Concertos with a January 13 performance of his Violin Concerto No.3 by Rachel Barton Pine and the Lancaster Symphony Orchestra, some might say he's on a roll. Others, listening to the pace of two new piano concertos inspired what liner notes writer Harold Lester calls "the chaos of [Chesky's] adopted New York City," might instead think "roller coaster."

For our video coverage of the 2018 Consumer Electronics show in Las Vegas, we purchased Sennheiser's "Ambeo" binaural system, which mounts microphones on the outer surfaces of a pair of earbuds, thus allowing the ears' pinnae to influence each mike's pick-up pattern. The Ambeo connects to an iPhone. In this report, John Atkinson visits the Lamm, Vandersteen, and VTL rooms, talks to exhibitors about their systems and their thoughts on the show, listens to some of his recordings, as well as some chosen by the exhibitors, and offers his thoughts on what he had just heard. But first, Michael Fremer shows off his Karaoke skills!

MBL's Corona C15 monoblock has been one of my amplification references since I reviewed it in 2014, and as I've been reviewing DACs the past year or so, it was high time I spent time with one of the German company's digital products.

"Black shiny products are tough to photograph at shows, so trust me when I say the new N31 is dripping with gorgeousness not reflected in this photo," wrote Jon Iverson in his report from the 2017 Consumer Electronics Show. And when I unpacked my review sample of the Noble Line N31 ($15,400), I was indeed taken with its looks.

Chopin's Last Waltz
Chopin: Ballade 4 in f, Op.52; Fantasie in f, Op.49; Mazurka in c-sharp, Op.63 No.3; Mazurka in f, Op.68 No.4; Nocturne in E-flat, Op.62 No.2; Prelude in c-sharp, Op.45; Valse in A-flat, Op.64 No.3
Robert Silverman, piano
IsoMike 5606 (LP). 2017. Available from Acoustic Sounds and other on-line retailers; DSD files available from NativeDSD, www.nativedsd.com. Ellen Silverman, prod.; Ray Kimber, Aaron Hubbard, engs. DDA TT: 50:05
Performance *****
Sonics *****

At the 2017 Rocky Mountain Audio Fest, Ray Kimber was beginning to feel a little antsy. He'd just released his first LP, Chopin's Last Waltz, an all-Chopin program performed by pianist Robert Silverman, and while being part of the rush to re-embrace vinyl sounds great, pressing your first-ever long player can be a bit nerve-racking.

The question, "What if they Gave a CES and Nobody Came?," which headlined my As We See It from mid-2016, was echoed by a similar title on Jon Iverson's opening blog for our coverage of CES 2018. Yet hopes and fears that our industry's increasingly limited presence in the Venetian would sound the death knell for "high performance audio" at CES do not reflect the experience of those who this year chose to either exhibit or wander hallways and eateries in search of dealers and distributors.

When Jason Victor Serinus visited the Bluebird Audio room on the Venetian's 35th floor, he mentioned that Chord was demonstrating its Blu Mk.2 CD transport ($11,788) along with the Dave DAC that I reviewed and was impressed by last June. I chatted with Chord's digital guru Robert Watts (above in photo) about the new transport and he mentioned that it incorporated his latest WTA (Watts Transient Aligned) digital filter with a million taps! (The more taps there are, the closer a DAC can reproduce the timing information in the reconstructed analog signal—see my DAVE review for why Robert feels why this should be so.) I was puzzled, as a digital reconstruction filter belongs in a DAC, not a transport.