Does small speaker size matter to you?
Does size matter? Is it important to you to find the smallest speaker that still delivers the sound you want?
Does size matter? Is it important to you to find the smallest speaker that still delivers the sound you want?
Primedia has announced <I>The Connected Guide To The Digital Home</I>, the first consumer magazine dedicated entirely to adopting and integrating audio, video, information, telecommunications, security, and other personal and home technologies. Formerly known as <I>Audio Video Interiors</I> (<I>AVI</I>), the standard-bearer for the home theater revolution, <I>The Connected Guide To The Digital Home</I> is being introduced as the natural evolution of <I>AVI</I>.
Sam Tellig and Lonnie Brownell both provide trenchant analyses of the <A HREF="http://www.stereophile.com/amplificationreviews/597bryston">Bryston B-60R integrated amplifier</A>. Tellig notes, "With Bryston gear, you get solid engineering and impeccable—I was going to say unimpeachable—build quality. This is what you pay for; not bulletproof faceplates, gold-plated name badges, or the like."
<B>TOM HARRELL: <I>Wise Children</I></B><BR>
Tom Harrell, trumpet, flugelhorn, balafon; Jimmy Greene, tenor sax, flute; Xavier Davis, piano, Fender Rhodes, clavinet, kalimba, organ, synth bass; Ugonna Okegwo, acoustic bass, electric bass; Quincy Davis, drums<BR>
With: Cenovia Cummins, Antoine Silverman, violin; Juliet Haffner, viola; Daniel Miller, Jeffrey Szabo, cello; Mondre Moffett, Kamau Adilifu, trumpet; Luis Bonilla, trombone; Douglas Purviance, bass trombone; John Clark, Vincent Chancey, French horn; Howard Johnson, tuba; Myron Walden, alto sax; David Schumacher, baritone sax; Gil Goldstein, accordion; Marvin Sewell, electric guitar; Marcel Carmago, acoustic guitar; Reuben Rodgers, fretless bass; Milton Cardona, congas; Joe Gonzalez, bongos; Café, congas, berimbau, balafon, oudu, tambourine, percussion; Claudia Acuña, Jane Monheit, Dianne Reeves, Cassandra Wilson, vocals<BR>
Bluebird 82876-53016-2 (CD). 2003. John Snyder, prod.; Joe Ferla, eng. DAD. TT: 63:34<BR>
Performance <B>****</B><BR>
Sonics <B>****</B>
Hanging above the expensive desk in my penthouse office atop Manhattan's prestigious <I>Stereophile</I> Tower is a photocopy of a <I>New Yorker</I> cartoon, in which a bewildered-looking guy complains, "There has been an alarming increase in the number of things I know nothing about."
Considering that not that long ago there wasn't even a product category for balanced AC line conditioners, we seem to now enjoy a plethora of the critters. Cinepro offers the PowerPRO 20 (reviewed in <I>Stereophile</I>, November 1998, Vol.21 No.11). And Equi=Tech, which caters more toward the pro end of the field, offers one that I have yet to hear. Now Audio Power Industries weighs in with their own approach to the genre.
Computers are increasingly finding their way into music systems, but how do you feel about it? Should <I>Stereophile</I> spend more time looking at this option in its pages?
Yesterday, we talked with Microsoft about the high-resolution audio capabilities of Windows Media. Today, we met with one of their key competitors, Real, who also promised that, as the market matures, we will be seeing more options for audiophiles.
The format battle over what goes into your audio player's disc drawer could soon be rendered moot. Forget SACD and DVD-Audio: it's the format war taking place on your desktop that may determine the real future of audio. And, believe it or not, audiophiles might win, too.