Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Harbeth Monitor 20.1

Which one of these things is not like the other? The Harbeth Monitor 20.1 (far left), in new titanium gray finish, makes a statement.

The company wanted to design something a bit sexier, a bit more modern, explained Harbeth’s Alan Shaw.

While he admitted that reasons for selecting one loudspeaker over another are not always rational, he believes a loudspeaker should be used in the application best suited to it. The Monitor 20s are optimized for nearfield monitoring in desktop sound- and video-editing.

Still: “‘Sexy’ is really important,” said Shaw.

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Listening #101

Like most people who are neither radio talk-show hosts nor members of the Westboro Baptist Church, I'd rather be known for my loves than my hates. And after wandering this audio wilderness for umpteen years, I can stand before you and say without shame: An unlovable phono transformer has yet to step into my path.
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The Entry Level #5

Let me hear your body talk.
—Olivia Newton John

But first a confession: I'm not the hip young man you might like me to be (or the one I might like me to be). I'm actually sort of old-fashioned. While my taste in music is nearly as uninhibited and adventurous as that of anyone I know, I prefer to enjoy that music in ways far more restrained and much less modern. I think I would have been right at home in the 1950s, wearing Ray-Bans and Levi's, listening to (and loving, equally and deeply) the music of both Jack Scott and John Cage, and playing my records on a record player.

I heard from Kelli recently. She said something about moving all of her music into the clouds.

"Huh?"

"Cloud music," she said.

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Music Hall MMF-11

I swear: Music Hall’s Roy Hall was cracking jokes and smiling wide just moments before I snapped this shot.

“Are you enjoying the show?” he had asked.

“Very much. This show has a certain grace and a natural sex appeal that shows in the States seem to lack,” I said.

Roy nodded. “Ah, you get it. So you’re not just a pretty face.”

Then he walked me over to his new MMF-11 turntable (around $4500, including Pro-Ject 10cc carbon-fiber tonearm). First seen in prototype form at January’s Consumer Electronics Show, the 43-lb MMF-11 is a two-motor, flywheel-driven turntable with a thick, acrylic platter, a four-layer plinth, and magnetic feet to further isolate the turntable from vibrations.

“No original ideas here,” Roy quipped.

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HiFiMAN HE-5, HE-5LE, HE-6, and HE500 Planar Magnetic Headphones

This story originally appeared at InnerFidelity.com

Just a year and a half ago I walked into the CanJam area of RMAF, and right smack-dab in the middle was Fang Bian, head of Head Direct and the HiFiMAN brand of headphone gadgetry. Fang always has something new going on; I wondered what it would be this time. He smiled, stood, and cheerfully greeted me, then pointed towards center-stage on one of his tables.

"Would you like to hear my new planar magnetic headphones?"

You’ve got to be kidding me, I thought.

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John Hollenbeck's Shut Up and Dance

Shut Up and Dance, on the French label Bee Jazz, should catapult John Hollenbeck into the pantheon of living big-band composers, along with Maria Schneider, Bob Brookmeyer, Jim McNeely, and (if his debut works are matched by what's to come) Darcy James Argue, among perhaps a very few others. I've praised some of Hollenbeck's earlier albums in this space, especially his Large Ensemble's Eternal Interludes and his Claudia Quintet's Royal Toast, but I have to say I admired them more than I liked them. His arrangements were . . .
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Cardas Audio

Andy Regan (left) and George Cardas are excited about the current state of hi-fi and music. They strongly believe that the asynchronous technologies found in today’s digital-to-analog converters can erase any negative effects the Compact Disc has had on music and on our enjoyment of music. It’s possible to achieve improved sound quality and enjoy a better overall listening experience by removing the disc from the equation, playing high-quality music files stored on a hard drive.
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Joseph Audio

Unfortunately, Jeff Joseph’s shipment of gear was delayed due to a short FedEx strike which occurred in Paris. Joseph was understandably tired and frustrated, but he hadn’t lost his great sense of humor.

“I can still play the speakers,” he said with a straight face.

I thought for a moment that he would employ some powerful new wireless technology; Joseph was an early proponent for computer-based audio.

“Oh yeah?”

“Yeah. What would you like to hear?”

He covered his face with the press release for his lovely Pulsar ($7000/pair) and began to sing.

I can’t remember what song we listened to, but it really was like hearing live music. There was almost nothing separating us from the song.

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