Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Tape Project Ships First Title

As we <A HREF="http://www.stereophile.com/news/012907master/">reported</A&gt; last January, <A HREF="http://www.tapeproject.com">The Tape Project</A>, a collaboration among mastering engineers Paul Stubblebine and Michael Romanowski, both of Paul Stubblebine Mastering, and Dan Schmalle of Bottlehead, plans to release 10 master-quality tapes per year. The Tape Project's inaugural outing, available now, is <I>The Number White</I> by jazz vocalist Jaqui Naylor.

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The Bleys, Part 2: Paul

Speaking of Carla Bley, her ex-husband, Paul Bley, has a new CD, <I>Solo in Mondsee</I> (ECM), and it’s quietly stunning. I’m a bit late with this—the album came out last summer—but then again, it was recorded in 2001, so who’s counting? Paul Bley has been one of the piano giants in jazz for over a half-century. He may be more famous for those he’s introduced to the jazz scene. He led, I think, the first jazz trio that featured Charles Mingus on bass. While house pianist at the Hillcrest Club in Los Angeles in 1958, he hired Ornette Coleman to play with him (when nobody else would); in fact, what became, a few months later, the first Ornette Coleman Quartet started out as the Paul Bley Quintet, minus Bley. Over the years, he’s frequently played with Ornette’s bassist, Charlie Haden, most recently in a night of riveting duets at the Blue Note in New York. (A couple decades ago, the Montreal Jazz Festival held a weeklong celebration in which Haden led a variety of ensembles; all the sessions were eventually released on CD by Verve; the best of the bunch was a trio session with Bley and Paul Motian.)

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Placette Active Linestage preamplifier

A friend once described my audio ethos as "records, tubes, big amplifiers, and really big speakers"&mdash;I always picked warmth and musicality over antiseptic neutrality, even if the former came with a few extra colors in the tonal palette. Had I listed my criteria for an audio component, <I>transparency</I> wouldn't have been near the top, and might not have been listed at all.

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