In nearly 25 years, it's been rare that I've reviewed an exciting breakthrough product. The Audioengine 2 is such a product—not because it performs at an extraordinary level (though it does), and not because it's such an incredible value for money (though it is), but because it creates a new market, a new application for high-end audio, and a chance for audiophiles to enjoy music in ways they may have never considered before.
Boulder Amplifiers, named after the Colorado town where the company has resided since its founding 23 years ago, makes some of the most elegant-looking solid-state amps around. Chassis are anodized, aircraft-grade aluminum with rounded edges, machined and finished in-house. The two models reviewed here, the 810 line preamplifier and the 860 power amplifier, each have a sleek, compact build—stacked atop each other, the two stand just over a foot high—owing to extremely efficient packing of the circuitry inside. These are the company's "entry-level" electronics, but there's nothing cheap about them—the preamp retails for $6900, the amp for $8500—and for all their economical size, they <I>look</I> like luxury goods as well.
Simon Yorke is an artist, a machinist, an electronics wiz, and a political idealist. He's also an analog enthusiast who melds aesthetic and technical considerations into eye-catching, densely packed, compact record-playing devices that are ruggedly built and functionally elegant. His turntables' smooth, matte-gray, metallic finishes and efficient lines make them among the most visually pleasing ever made.
In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical <I>The Fantasticks</I> was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.
Starbucks, look out! ArkivMusic is on your tail. Just in time for the holidays, the Internet's major classical-music site has teamed up with the Canadian Brass to create ArkivMusic's first new recording, <I>Christmas Tradition: Music for Brass and Organ</I>. The CD, recorded for the Canadian Brass's own label, Opening Day (ODR 7345), includes music by composers who, over the years, have written some of the ensemble's favorite music and arrangements.
MTV published an end of the year review of the music business on December 17, "<A HREF="http://www.mtv.com/news/articles/1576538/20071214/madonna.jhtml?src=rss… Ditches Label, Radiohead Go Renegade: The Year The Music Industry Broke.</A>" Month by month, it's a litany of bad tidings for the biz, from January 14, 2007, the day the <I>Dreamgirls</I> soundtrack hit number 1 on <I>Billboard</I>'s pop charts with a scant 60,000 copies sold (lowest #1 ever) through December 3, 2007's announcements that Def Jam and EMI were laying off employees and Warner Music Group would cut executive bonuses (<I>awww</I>).
We received word December 21 that Ultralink/XLO Products executive vice-president Don Bouchard was injured in a "serious motorcycle accident in Texas." Bouchard is currently recovering in a Houston hospital, surrounded by his family, close friends, and business associates. Knowing Don, we're sure that's a packed hospital room.
It occurs to me that, in my list-o-mania feature, I forgot one that I’d promised—Best Living Jazz Musician of Various Categories. So here they are: the best and the runner-up. These picks will no doubt raise hackles, catcalls, and fisticuffs. So raise them! Send in your choices!
Indexes may be at the back of the book, but a good one can be the difference between a good book and a great one. Enid Stubin <A HREF="http://www.moreintelligentlife.com/node/735">remembers</A> her stint at the Sydney Wolfe Cohen Associates indexing service.
