Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

VTL/Manley Reference 350 power amplifier

Manley is not a new company; it's the last name of the president and chief designer of VTL, David Manley, whose Model 300 has been my reference standard power amp for the past two years. In fact, Manley is not even a new brand name; it's the name of VTL's "deluxe" line of electronics, built (ostensibly) to industrial standards of ruggedness and reliability.

It's customary to think of "the tube sound" as being warm, rich, weak through the deep bass, fat through the midbass, forward through the midrange, bright through the middle highs, and soft at the extreme top, with superb rendition of depth and spaciousness. The "solid-state sound," by contrast, is generally thought to be cool, detailed, and pristine, with powerful deep bass, controlled midbass, rather reticent (laid-back) midrange and mid-highs, and a somewhat crisp high end, with variable (roulette-style) reproduction of depth and spatiality.

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William Parker Quartets, Meditation / Resurrection

William Parker, Bronx-born bassist-composer extraordinaire, is one of the few jazz musicians who came up through the avant-garde (making his first big marks as a sideman to Cecil Taylor and David S. Ware) yet manages to fuse its techniques and innovations with standard rhythms, a sense of blues that might have wafted up from the Delta, a dash of wit, and a seemingly effortless swing.

His new two-CD album, Meditation / Resurrection (on the AUM Fidelity label), was recorded in the course of a single day last October, at Brooklyn's System Two Studio by Michael Marciano, who also mixed it live, to give it the feel of a spontaneous set at a club.

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Sennheiser HD569 Around Ear Sealed Headphones

This story originally appeared at InnerFidelity.com

Sennheiser has been "remastering" their line-up for the past little while and I've been itching to get a little ear time on some of the more affordable models. In a marvelous turn of events, they sent me a couple of boxes filled with headphones for me to measure, evaluate, and cherry pick for for good values. Here's the first one...

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Listening #176: MusiKraft Cartridge Bodies & EMIA Phono Transformer

How can you tell a classic product from the hi-fi hoi polloi? One sure sign is when third-party developers spring up around the thing, offering parts and service intended to maximize its performance—or just to keep it on the road. Thus regarded, a few true classics emerge: Quad's ESL and ESL-63 loudspeakers. Altec's 802 and 806 compression drivers. The Linn LP12 and Garrard 301/401 turntables. The Rega RB-300 tonearm and its direct descendants.
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Vinyl Apocalypse: the LP Shelving Dilemma

The three most traumatic events anyone can experience in life? The death of a loved one? A surprise audit by the IRS? Your entire LP collection purloined by a disgruntled ex-lover?

And, oh yes—moving.

As 2016 turned to 2017, my wife and I were forced to move from an apartment we wrongly assumed we'd never ever have to leave, which in New York City means a lot. Perhaps we were just a tad naïve?

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Industry Profile: Kate Koeppel, Record Dividers

Last month, our sister site AnalogPlanet.com published a brief post about one of Koeppel Design's recent releases: the LP Block ($76; engraved or stenciled, above). The majority of the comments on the blog criticized the LP Block and few of Kate Koeppel's other products purely for being too expensive. When I read these comments, I felt that the value of her products weren't being appropriately considered. I believe it's because there isn't currently a huge market for record dividers, record stands, and casual record-carrying totes. Consumers have little to compare and therefore lack perspective.
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Brinkmann Audio Nyquist D/A processor

What? Johnny-come-lately turntable manufacturer Brinkmann Audio now makes a DAC? Are they desperate? What sampling rates does it support—162/3, 331/3, 45, and 78? I guess the vinyl resurgence is over! Why else would Brinkmann make a DAC?

If that's what you're thinking, consider that Helmut Brinkmann began designing, manufacturing, and marketing electronics well before he made the first of the turntables for which his company is best known in the US.

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