Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Adams Takes the Violin Up, Down, Around, and Through

Twenty-five years after the premiere of John Adams' Violin Concerto, the music remains as vital, exhilarating, and strangely moving as the day it was birthed. An extremely demanding work, its three contrasting movements present a triathlon challenge of sorts to anyone who dares try to play them.

Here, she who rises to the challenge is violinist Leila Josefowicz. Provocatively pictured on the CD cover as a curious cross between an athlete in repose and Rodin's reflective thinker...

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Listening #187: Shindo Mr. T

In the rural home in Cherry Valley, NY that my family and I inhabited from 2003 to 2017, we had dirty water but clean electricity. Evidence of the latter was seen in the results of tests performed by a technician from the local utility, National Grid—I told him I intended to do commercial sound recording on site, which was close enough to the truth that I considered my sin venal rather than mortal—and heard in the sound of my playback system, which rejected as superfluous or worse all of the AC-conditioning products I tried there.
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Highway 61 Revisited

Photos: Jim Austin

I'm sitting in a rented Nissan just off Highway 61—yes, that Highway 61—looking out at a Shell station through the bug-stained windshield and across a litter-strewn, not-yet-planted cotton field. It's late March, and I've just left Clarksdale, Mississippi, on my way to Memphis. Leaving Clarksdale made me thoughtful, so I've pulled over to jot down a few notes.

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Wilson Audio Specialties Alexia Series 2 loudspeaker

One of the benefits of being a reviewer is that, of the large number of products that pass through my listening room, occasionally there are those that I really would like to see take up more permanent residence. One of these was Wilson Audio Specialties' Alexia loudspeaker, which I reviewed in December 2013. "Its clarity, its uncolored, full-range balance, its flexibility in setup and optimization, and most of all its sheer musicality, are, if not unrivaled, rare," I wrote, and concluded: "If I were to retire tomorrow, the Wilson Alexia would be the speaker I would buy to provide the musical accompaniment to that retirement." Nothing I subsequently heard disabused me of that dream, though a couple of other speakers, in particular Vivid Audio's Giya G3 and KEF's Blade Two, joined the Alexia on my bucket list.
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AkitikA GT-102 power amplifier

An e-mail from an old audiophile pal: "Herb, my buddy owns a recording studio, and he told me one of his $10k reference amplifiers stopped working and the manufacturer said it would take months to be repaired. So he went online and bought this 60W AkitikA solid-state amplifier to use while his big amp was being repaired. The trouble is, the kit cost only $314. (The studio guy bought his assembled and tested for $488.) Now, he likes the AkitikA more than his broke-down reference amp."
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The Sound and the Image

It's not surprising that many people, like me, love nice cameras and good stereo gear. In my worse moments, I attribute this to mere consumerism: We love expensive stuff and the thrill of buying something new, whether for reproducing music or creating visual images. In my better moments, it's clear to me that there's more than that to this common taste for audio and photography, and more to the hobby of so-called perfectionist audio.
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Recording of July 2018: Life Of

Steve Tibbetts: Life Of
Steve Tibbetts, 12-string guitar, piano; Michelle Kinney, cello, drones; Marc Anderson, percussion, handpan
ECM 2599 (CD). 2018. An ECM production; Steve Tibbetts, eng.; Greg Reierson, eng., mastering. DDD. TT: 50:40
Performance *****
Sonics *****

The sound of Steve Tibbetts's guitar music is unique—one need hear only a measure or two of his new album to identify the distinct tang of his playing. Common wisdom is that a guitarist's sound is in the hands and fingers, but Tibbetts has another trick: his weathered, 50-year-old Martin D12-20 12-string acoustic guitar.

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Bernstein's Great Mahler Song Cycles in Hi-Rez

Why should you or anyone care about a 24/192 download reissue of recordings of two Mahler song cycles that were made in Vienna and New York in 1968 by conductor Leonard Bernstein and three of his favorite singers, mezzo Christa Ludwig, her bass-baritone husband Walter Berry, and baritone Dietrich Fischer-Dieskau? After all, the recordings are "old" and the music much older, all but one of the artists is dead, the language is German, and the reissue lacks lyrics and translations . . .
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The Hot Shade of July

But maybe not so hot in the listening room, where you can get absorbed reading the latest issue of Stereophile. The expensive but superb-sounding Wilson Alexia 2 speaker is featured on the cover and reviewed inside, but also inside this issue is a review of the least expensive amplifier we have reviewed in decades, AkitikA's GT-102, which costs just $314 as a kit and $488 assembled and tested.
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