Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Recording of June 2023: Barbra Streisand Live at the Bon Soir

Barbra Streisand: Live at the Bon Soir
Streisand, vocals; Tiger Haynes, guitar; Peter Daniels, piano; Averill Pollard, bass; John Cresci, drums
Legacy/Columbia 19658713762 (reviewed as 24/96 WAV, also available on CD, Gold CD, SACD, 2LP). 2022/23. Barbra Streisand, Jay Landers, Martin Erlichman, prods.; Roy Halee, Adjutor Theroux, Paul Blakemore, Jochem van der Saag, engs.
Performance *****
Sonics ***
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Some Things Change, Others Stay the Same; Introducing the Spin Doctor

This, Stereophile's June 2023 issue, is the 50th I've produced as editor. That seems like a lot—yet the four-plus years it took have flown by; it seems impossible that I've done this 50 times already. Still, the main thing it makes me think is how inexperienced I remain: It will take another 28 years to match JA1's record. That's unlikely to happen: I'm not sure when I'll retire, but I hope it will be before I turn 87. What have I learned? I've learned a lot about producing this magazine, and I've gained a lot of detailed knowledge, especially about specific hi-fi components. I've gained some broader knowledge, too, including a deeper appreciation for the crucial importance of the time domain in hi-fi—of the fact that music happens in the time domain and we experience it there. In the very best systems, that fact is respected and exploited.
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Spin Doctor #1: Shaknspin2 & Miyajima Kotetu Mono Phono Cartridge

Over the last 40 years, I have set up or serviced literally thousands of turntables, and during that time I have seen a lot of increasingly sophisticated tools become available to help in getting your turntable optimized. I've had my eye on the Shaknspin speed analyzer since it was launched a couple of years ago, and now there's a new Shaknspin2, which promises more accurate results.
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Analog Corner #257: AJ Conti, Audio Research Reference Phono 3, TARA Labs Air Evolution cables

As I began writing this column, the terrible news arrived that Armando "AJ" Conti, founder of Basis Audio, had died of a heart attack at 59. A talented designer of turntables and tonearms, AJ was one of the warmest and more thoughtful people in the High End. Whenever I entered the Basis room at a Consumer Electronics Show, I had to be prepared to spend the next hour or more talking with AJ—not only about audio, but about coffee, motorcycling, metallurgy, or any other of his many passions . . .
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John Doe: Fables of the Post-Reconstruction

Few people make albums about isolation and loneliness sound as appealing as John Doe does. That's what Doe has achieved with his latest solo release, Fables in a Foreign Land (LP, Fat Possum FP 18001). Set as a song cycle in the 1890s, the album's 13 songs reflect Doe's penchant for dust-and-diesel storytelling, within an acoustic-trio format. It's "telling stories and playing music around the modern campfire," Doe said in an interview.
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Arvus H2-4D multichannel Dolby Atmos digital processor

It has taken almost three years, but Dolby Atmos is now permeating the music-streaming sites; note that most of the recent Grammy winners are available in Atmos.

Up to now, access to Atmos has been largely restricted to HT hardware; its success for music will depend on wide availability and non-HT options for audiophile music lovers to stream and to play discs or files in Atmos, especially in lossless versions. Enter the Arvus H2-4D.

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Revinylization #41: Craft Recordings' Eddie "Lockjaw" Davis Reissues

Eddie "Lockjaw" Davis, also known as Jaws, was a self-taught originator of soul jazz. He recorded the first records that blend Hammond organ and tenor sax, with Bill Doggett at the B3, for Roost Records in May 1952. He continued to develop his blues-based, jukebox-friendly style of jazz and, in 1955, joined forces with a young organ player from Philadelphia named Shirley Scott. They recorded together for King and Prestige Records and formed a gigging band with drums and bass.

In three 1958 sessions at Rudy Van Gelder's Hackensack, New Jersey, "living room" studio, Davis and Scott recorded four seminal soul-jazz albums, the "Cookbooks." Themed around bluesy originals and spirited takes on comfortable standards, the albums featured liner notes and song titles that relate to an imagined soul kitchen, with a generous helping of kitschy references to the "simmerin'" music on the platters. Craft Recordings, the reissue label for the Concord Music Group, has collected the four "Cookbook" albums into a box set of vinyl cut from the two-track master tapes by Bernie Grundman and plated and pressed at RTI in California.

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