Singer Dusty Springfield died at her home near Oxford, England last Tuesday, March 2, a few weeks before what would have been her 60th birthday and only one day before she was to have appeared at Buckingham Palace to be honored by Queen Elizabeth. The cause was breast cancer.
The English flat-panel speaker company <A HREF="http://www.nxt.co.uk/">New Transducers Ltd.</A>, also known as NXT, recently announced a new transparent loudspeaker technology called SoundVu that the company says will enable television and computer screens to function simultaneously as loudspeakers.
Ethics and high-end audio have always been a tangled web---especially when it comes to deciding whether to purchase equipment from a helpful local dealer or trying to find the best price possible. In the web reprint of February 1999's "<A HREF="http://www.stereophile.com//thinkpieces/98/">The Final Word</A>," <I>Stereophile</I>'s publisher emeritus, Larry Archibald, examines a recent high-end purchase of his own to shed a little light on the dilemma faced by the audiophile grinding for a great deal. Also included are some choice reader responses.
I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.
<B>BRUCE SPRINGSTEEN: <I>Tracks</I></B><BR> Columbia CXK 69475 (4 CDs). 1998. Bruce Springsteen, Chuck Plotkin, prods., engs.; Jon Landau, Stevie Van Zandt, Roy Bittan, Mike Appel, Jim Cretecos, John Hammond, orig. engs.; Ed Thacker, Bob Clearmountain, Thom Panunzio, remix engs. AAD? TT: 4:13:30<BR> Performance <B>*****</B><BR> Sonics <B>****?</B>
Protecting copyrighted music has become a major issue in the digital age, but we wonder how it affects audiophiles.
Rumors have been confirmed that high-end audio journal <I>Fi Magazine</I>, which just entered its fourth year of publication, closed its doors last Friday, February 26. In a conversation with <I>Stereophile</I> publisher emeritus Larry Archibald, former <I>Fi</I> editor Jonathan Valin commented that "It was really a shame. I never worked so long and so hard on anything, and it didn't have to end the way it did---but I don't want to go into it. The money was there to keep it going." John Atkinson had been told at CES by a <I>Fi</I> spokesperson that a new source of investment had been found, but we can only assume that the deal fell through.
Unit sales of CD players rebounded in 1998, rising 4% to $336 million, according to statistics from the <A HREF="http://www.cemacity.org/">Consumer Electronics Manufacturers Association</A>. All segments of the CD hardware market---single-play, carousel changers, and mega-disc changers---improved over the big slump of 1997, when unit sales fell 60% and dollar sales fell 40%. Through November 1998, single-disc player sales were up 33% in units and 24% in dollar volume. Carousel changers, component-CD's largest segment, rose 15% in units and 7.5% in dollars during the first three quarters of 1998.
The popular condensation of Darwin's theory of evolution is "adapt or die." The phrase could certainly have been addressed to the music-industry establishment by any one of four Internet entrepreneurs in a public discussion last week at San Francisco's Commonwealth Club. The four---Gerry Kearby of <A HREF="http://www.liquidaudio.com/">Liquid Audio</A>, Gene Hoffman of <A HREF="http://www.goodnoise.com/">GoodNoise</A>, Arnold Brown of <A HREF="http://www.audioexplosion.com/">AudioExplosion</A>, and Andrew Keen of <A HREF="http://www.audiocafe.com/">Audiocafe.com</A>---gathered at the public affairs forum Tuesday evening, February 22, for a spirited discussion of "The Future of Music Distribution."