There's a certain commercial symbiosis between audio companies and public performance spaces. Tokyo has its <A HREF="http://www.yamaha-hall.co.jp/">Yamaha Hall</A>; New York has its Avery Fisher Hall (<A HREF="http://www.bluffton.edu/~sullivanm/abram/abram.html">1</A>, <A HREF="http://www.lincolncenter.org/visitor/halldescriptions_afh.asp?ws=">2</A…;), named for the hi-fi pioneer whose products were among the best available in the early 1960s.
Jack English noted in March 1994, "I lobbied ProAc designer Stuart Tyler tirelessly to take a crack at a truly full-range speaker which would preserve the strengths of the Response lineup. My wish came true in mid-1993, with the release of the monstrous <A HREF="http://www.stereophile.com/loudspeakerreviews/394proac">ProAc Response 4 loudspeaker</A>."
Last week we reported Dolby's <A HREF="http://www.stereophile.com/news/092704mlp/">announcement</A> that varying versions of their audio technologies have been selected as "mandatory formats" for <A HREF="http://www.dvdforum.org">HD DVD</A> and <A HREF="http://www.blu-raydisc.com">Blu-ray</A>. Significant for audiophiles is that MLP and high-resolution PCM audio will be available both as two-channel and surround formats on HD DVD.
It's one of leading audio controversies: Do different audio cables
If the sole criterion for choosing a winner in today's hotly contested premium arms race was original thinking, the Immedia RPM-2 might well come out on top. While some of its design details resemble those found on other products, in many significant areas the arm is unique—not for uniqueness's sake, but in order to efficiently implement some clearly considered goals. If the unipivot RPM-2 bears a resemblance to any other contemporary arm, it is Naim's highly regarded ARO—which I've never heard. The similarity, though, would appear to be superficial.
The official designation for FM is Frequency Modulation, but <I>I</I> think FM stands for Fresh Music. Since before the age of recorded time, FM has been where you go to hear new music, be it the latest Jimi Hendrix album or a recent release from the Kronos Quartet.
"Speakers are difficult," says Lars.
Reviewing audio equipment has always been a blast. With each passing month, some potentially wonderful new piece of audio gear finds its way into my system. But as an audiophile, I don't want to be constantly changing the equipment in my system—I want to put together the best setup I can and spend my time optimizing its performance. In spite of the revolving equipment door, I try to listen to the majority of music on my own equipment.
Old-school two-channel hi-fi may be in the doldrums—a phenomenon of concern only to those manufacturers still solely mining that niche. Those who have caught the home-theater wave are working overtime developing and producing great-sounding new equipment for use with surround-sound systems, flat-panel televisions, and custom installation, according to reports from the <A HREF="http://www.cedia.org">CEDIA Expo</A> held earlier this month in Indianapolis.
Audiophiles have had little reason to follow the high-definition video DVD format conflict. Until now.