Robert Baird

Making a recording is always a personal journey—everyone has a story to tell. Jazz violinist Regina Carter's latest, Southern Comfort, is an eloquent musical expression of Carter tracing the roots of her paternal lineage back five generations. For the project's sound engineer, Joe Ferla, it's the final project of a engineering career, and the beginning point of his new life as a practicing musician. The entwining of these journeys gives the album's music and sound a rare honesty.

Although they were released twenty years ago, they are four albums possessed of a timeless beauty

WANTED: Jazz Hero. Must be willing and able to bring stunning new creative energies to a musical genre in danger of becoming stale and repetitive. Must be comfortable with a Marsalis level of celebrity. Saxophone or trumpet players preferred. Old men need not apply.

In 2011, jazz prayers were answered with the release of When the Heart Emerges Glistening, a brilliantly inventive mainstream jazz album led by Ambrose Akinmusire, a photogenic, 28-year-old trumpeter from Oakland, California. The young man had lots of fresh ideas, speed and dexterity to burn, and a unique tone, the combination of which brought back a flood of memories: Miles Davis, Clifford Brown, Pops.

On Saturday, April 12, John Atkinson and I fought our way through toll plazas, endless New Jersey traffic (is there any other kind?) and one really annoying traffic jam (but hey, it was only one!)

On Saturday, April 12, John Atkinson and I fought our way through toll plazas, endless New Jersey traffic (is there any other kind?) and one really annoying traffic jam (but hey, it was only one!...)

It’s a very scary and weird commentary on the state of the music business, that posthumous albums have now become a booming category.

In the tornado of music and gear better known as, let’s say, audiophilisma, there are a lot of guilty pleasures.