In the mid-'60s, modern jazz pivoted. Charlie Parker, the previous era's key revolutionary, had been dead for a decade. "Hard bop," the soul-and-back-beat variant of Parker's bebop, was running out of steam. The Beatles were rocking the world, and jazz would never recover as a branch of "popular music." In response or indifference to these tough transitions, jazz musicians set sail on several experimental paths. In those first few years, the most adventurous voyages were mapped and carved out at Blue Note Records.
Two new reissues in Blue Note's Classic Vinyl seriesGrant Green's Idle Moments and Kenny Burrell's Midnight Bluecapture peaks of jazz guitar's possibilities at a juncture when modernism was primed for a shift to something else. Both albums were recorded in 1963; both sport "the Blue Note sound," which engineer Rudy Van Gelder had refined to its high point. But the two albums lay out very different musical paths.
Various Artists: Kimbrough
Fred Hersch, Helen Sung, Craig Taborn, Dan Tepfer, Gary Versace, piano; Ben Allison, Jay Anderson, Rufus Reid, bass; Steve Cardenas, Ben Monder, guitar; Ted Nash, Joe Lovano, Danny McCaslin, Scott Robinson, Alexa Tarantino, Immanuel Wilkins, reeds; Dave Douglas, Kirk Knuffke, trumpets; Ryan Keberle, trombone; Olivia Chindamo, vocals; Billy Drummond, Clarence Penn, Matt Wilson, drums; 44 others.
Newvelle/Bandcamp. Elan Mehler, prod.; Marc Urselli, eng.
Performance ****½
Sonics ****
Frank Kimbrough was one of the most beloved figures in jazz and the most puzzlingly unsung among the great jazz musicians of our time. When he died on December 30, 2020, at the age of 64, there was much mourning among his colleagueswhich explains why, over a three-day period this past May, it was possible to corral 67 of them to cover 58 of his compositions, without pay, for this download-only album. The proceeds will fund a scholarship in his name at Juilliard, where he taught. The good cause aside, the $20 download charge is crazy cheap for five and a half hours of music from some of New York's finest jazz musicians.
Alice Coltrane: Kirtan: Turiya Sings, James Brandon Lewis/Red Lily Quintet: Jesup Wagon, William Parker: Painters Winter and Todd Cochran TC3: Then and Again, Here and Now.
Mingus at Carnegie Hall documents one of the most extraordinary live jazz concerts. Atlantic Records released a one-disc LP of the same title in 1975,a few months after the heady event, but it included only the second half of the showlate-career Charles Mingus's young quintet jamming for 45 minutes with three older guest stars on Ellington standards "C Jam Blues" and "Perdido" (the latter written by Juan Tizol).
Gil Evans Orchestra: Out of the Cool, Harold Land: Westward Bound!, Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album and Chris Potter Circuits Trio: Sunrise Reprise.